how to write a narrative history essay

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6+ Narrative History Essay Examples [ Educational, Fictional, Accounting ]

Narrative History Essay

6+ narrative history essay examples, 1. narrative reflection of history essay, 2. narrative history partnership essay, 3. narrative historical assignment essay, 4. editable narrative history essay, 5. narrative historical inquiry essay, 6. printable narrative history essay, 7. narrative history nature essay, why is history a narrative, what makes a good historical narrative, what is the most important element of a narrative.

What is a Narrative History?

Why narrative history matters.

• Narrative history establishes the identity of their authors and readers.
• Narrative history represent language and literature .
• Narrative history gives people the chance to take action from what they have learned over the past.

How to Write a Narrative History Essay

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• How to write a narrative essay | Example & tips

How to Write a Narrative Essay | Example & Tips

Published on July 24, 2020 by Jack Caulfield . Revised on July 23, 2023.

A narrative essay tells a story. In most cases, this is a story about a personal experience you had. This type of essay , along with the descriptive essay , allows you to get personal and creative, unlike most academic writing .

Table of contents

What is a narrative essay for, choosing a topic, interactive example of a narrative essay, other interesting articles, frequently asked questions about narrative essays.

When assigned a narrative essay, you might find yourself wondering: Why does my teacher want to hear this story? Topics for narrative essays can range from the important to the trivial. Usually the point is not so much the story itself, but the way you tell it.

A narrative essay is a way of testing your ability to tell a story in a clear and interesting way. You’re expected to think about where your story begins and ends, and how to convey it with eye-catching language and a satisfying pace.

These skills are quite different from those needed for formal academic writing. For instance, in a narrative essay the use of the first person (“I”) is encouraged, as is the use of figurative language, dialogue, and suspense.

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Narrative essay assignments vary widely in the amount of direction you’re given about your topic. You may be assigned quite a specific topic or choice of topics to work with.

• Write a story about your first day of school.
• Write a story about your favorite holiday destination.

You may also be given prompts that leave you a much wider choice of topic.

• Write about an experience where you learned something about yourself.
• Write about an achievement you are proud of. What did you accomplish, and how?

In these cases, you might have to think harder to decide what story you want to tell. The best kind of story for a narrative essay is one you can use to talk about a particular theme or lesson, or that takes a surprising turn somewhere along the way.

For example, a trip where everything went according to plan makes for a less interesting story than one where something unexpected happened that you then had to respond to. Choose an experience that might surprise the reader or teach them something.

Narrative essays in college applications

When applying for college , you might be asked to write a narrative essay that expresses something about your personal qualities.

For example, this application prompt from Common App requires you to respond with a narrative essay.

In this context, choose a story that is not only interesting but also expresses the qualities the prompt is looking for—here, resilience and the ability to learn from failure—and frame the story in a way that emphasizes these qualities.

An example of a short narrative essay, responding to the prompt “Write about an experience where you learned something about yourself,” is shown below.

Hover over different parts of the text to see how the structure works.

Since elementary school, I have always favored subjects like science and math over the humanities. My instinct was always to think of these subjects as more solid and serious than classes like English. If there was no right answer, I thought, why bother? But recently I had an experience that taught me my academic interests are more flexible than I had thought: I took my first philosophy class.

Before I entered the classroom, I was skeptical. I waited outside with the other students and wondered what exactly philosophy would involve—I really had no idea. I imagined something pretty abstract: long, stilted conversations pondering the meaning of life. But what I got was something quite different.

A young man in jeans, Mr. Jones—“but you can call me Rob”—was far from the white-haired, buttoned-up old man I had half-expected. And rather than pulling us into pedantic arguments about obscure philosophical points, Rob engaged us on our level. To talk free will, we looked at our own choices. To talk ethics, we looked at dilemmas we had faced ourselves. By the end of class, I’d discovered that questions with no right answer can turn out to be the most interesting ones.

The experience has taught me to look at things a little more “philosophically”—and not just because it was a philosophy class! I learned that if I let go of my preconceptions, I can actually get a lot out of subjects I was previously dismissive of. The class taught me—in more ways than one—to look at things with an open mind.

If you want to know more about AI tools , college essays , or fallacies make sure to check out some of our other articles with explanations and examples or go directly to our tools!

• Ad hominem fallacy
• Post hoc fallacy
• Appeal to authority fallacy
• False cause fallacy
• Sunk cost fallacy

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If you’re not given much guidance on what your narrative essay should be about, consider the context and scope of the assignment. What kind of story is relevant, interesting, and possible to tell within the word count?

The best kind of story for a narrative essay is one you can use to reflect on a particular theme or lesson, or that takes a surprising turn somewhere along the way.

Don’t worry too much if your topic seems unoriginal. The point of a narrative essay is how you tell the story and the point you make with it, not the subject of the story itself.

Narrative essays are usually assigned as writing exercises at high school or in university composition classes. They may also form part of a university application.

When you are prompted to tell a story about your own life or experiences, a narrative essay is usually the right response.

The key difference is that a narrative essay is designed to tell a complete story, while a descriptive essay is meant to convey an intense description of a particular place, object, or concept.

Narrative and descriptive essays both allow you to write more personally and creatively than other kinds of essays , and similar writing skills can apply to both.

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How to Write a Good History Essay. A Sequence of Actions and Useful Tips

Before you start writing your history essay, there is quite a lot of work that has to be done in order to gain success.

You may ask: what is history essay? What is the difference between it and other kinds of essays? Well, the main goal of a history essay is to measure your progress in learning history and test your range of skills (such as analysis, logic, planning, research, and writing), it is necessary to prepare yourself very well.

Your plan of action may look like this. First of all, you will have to explore the topic. If you are going to write about a certain historical event, think of its causes and premises, and analyze what its impact on history was. In case you are writing about a person, find out why and how he or she came to power and how they influenced society and historical situations.

The next step is to make research and collect all the available information about the person or event, and also find evidence.

Finally, you will have to compose a well-organized response.

During the research, make notes and excerpts of the most notable data, write out the important dates and personalities. And of course, write down all your thoughts and findings.

It all may seem complicated at first sight, but in fact, it is not so scary! To complete this task successfully and compose a good history essay, simply follow several easy steps provided below.

Detailed Writing Instruction for Students to Follow

If you want to successfully complete your essay, it would be better to organize the writing process. You will complete the assignment faster and more efficient if you divide the whole work into several sections or steps.

• Introduction

Writing a good and strong introduction part is important because this is the first thing your reader will see. It gives the first impression of your essay and induces people to reading (or not reading) it.

To make the introduction catchy and interesting, express the contention and address the main question of the essay. Be confident and clear as this is the moment when you define the direction your whole essay will take. And remember that introduction is not the right place for rambling! The best of all is, to begin with, a brief context summary, then go to addressing the question and express the content. Finally, mark the direction your essay about history will take.

Its quality depends on how clear you divided the whole essay into sections in the previous part. As long as you have provided a readable and understandable scheme, your readers will know exactly what to expect.

The body of your essay must give a clear vision of what question you are considering. In this section, you can develop your idea and support it with the evidence you have found. Use certain facts and quotations for that. When being judicial and analytical, they will help you to easily support your point of view and argument.

As long as your essay has a limited size, don’t be too precise. It is allowed to summarize the most essential background information, for example, instead of giving a precise list of all the issues that matter.

It is also good to keep in mind that each paragraph of your essay’s body must tell about only one issue. Don’t make a mess out of your paper!

It is not only essential to start your essay well. How you will end it also matters. A properly-written conclusion is the one that restates the whole paper’s content and gives a logical completion of the issue or question discussed above. Your conclusion must leave to chance for further discussion or arguments on the case. It’s time, to sum up, give a verdict.

That is why it is strongly forbidden to provide any new evidence or information here, as well as start a new discussion, etc.

After you finish writing, give yourself some time and put the paper away for a while. When you turn back to it will be easier to take a fresh look at it and find any mistakes or things to improve. Of course, remember to proofread your writing and check it for any grammar, spelling and punctuation errors. All these tips will help you to learn how to write a history essay.

Types of Writing Assignments

Narrative History

• Response Papers
• Creative Approaches
• Annotated Bibliographies
• Book Reviews
• Historiographic Essays
• Research Papers

Basic Considerations When Writing on History

• Cause and Effect
• Establishing a Broader Context
• Common Fallacies

Types of Sources

• Secondary Sources
• Primary Sources
• Fiction/Art/Poetry
• The Internet

Critical Reading

• Historiography
• Bias/Prejudice
• Evaluating Contradictory Data and Claims

Preparation and Writing

• Time Management
• Note-Taking Tips
• Developing a Thesis
• Organization
• Formulating a Conclusion

Basic Quoting Skills

• Quotation/Annotation
• Bibliographies
• Advanced Quoting Skills
• The Ethics of Quoting

Style and Editing

• Drafts and Revisions
• Common Stylistic Errors

Narrative history allows you to master the art of good storytelling that lies at the heart of most compelling history.

In a nutshell, narrative history asks you to tell a story: when, where, and (hopefully) why a certain event occurred, its larger significance or context, and who the important participants were. This is one of the more basic types of assignments you are likely to encounter, well-suited for (although not limited to) a short paper assignment.

Usually (in the context of a "W" class, for example) your professor has already covered the event. You have read about it and discussed it in class, and the assignment's objective is simply 1) to get you writing and, 2) to allow you to display, in writing, your mastery over the material.

Often - especially in a "W" course - the professor will ask you to limit your sources to those used in class, to use a system of annotation of his or her choosing, and to display basic quoting skills . Most likely, the professor will also require you to provide a "Works Cited"-page, or bibliography . (In the event that your professor asks you to access sources aside from those used in class, go to types of sources ).

Such an assignment will invariably require you to develop a thesis (a basic claim, or question, your paper seeks to prove or answer) and to formulate a conclusion . In between, in the main body of your paper, you will tell your story: what happened, when, and why.

Chart the foreign policy of Adolf Hitler from his appointment as German Chancellor in 1933 until the eve of World War II in 1939.

The events that marked the pre-WWII foreign policy of Nazi Germany, although complicated, are well-documented (they are listed below ). You will find them briefly explained in any standard textbook of European, World, or American history. Most likely, your professor expects you to introduce your topic, to establish a broader context , to place the relevant events into chronological order, to explain each one briefly, and to draw a conclusion.

A thesis, in the case of narrative history, can be modest: "The foreign policy pursued by the Nazi government under Adolf Hitler from 1933 to 1939 paved the way for World War II." A more ambitious thesis might add a statement along the following lines: "The unwillingness of the League of Nations or the United States to challenge Hitler's foreign policy may have emboldened him in his increasingly aggressive tactics. Ultimately these mutually reinforcing strategies culminated in the major confrontation that became World War II."

For more on this sample assignment, see Establishing a Broader Context .

• 1933 Hitler becomes Führer ("leader") of Germany; leaves the League of Nations.
• 1935 begins re-building the German navy and increasing troop strength of German army in violation of the Treaty of Versailles.
• 1936 Hitler remilitarizes the Rhineland, placed under French control for 20 years in 1919's Treaty of Versailles.
• 1936 Hitler signs the Rome-Berlin Axis Pact, creating an alliance with Italian fascist leader Benito Mussolini.
• 1936-39 Along with Mussolini, Hitler aids Franco's Nationalists (the "falange") against the Republicans (or "Loyalists") in the Spanish Civil War.
• 1938 Hitler annexes Austria in the so-called Anschluss ("annexation").
• 1938 September, Britain and France appease Hitler by granting him the right to occupy the Sudetenland, an ethnic German-populated western province of Czechoslovakia; Hitler asserts that his territorial claims in Europe are satisfied.
• 1939 March, Hitler takes the rest of Czechoslovakia.
• 1939 September 1, Hitler attacks Poland.
• 1939 September 3, Britain and France declare war on Germany: World War II officially begins.

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Narrative Essays

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The Modes of Discourse—Exposition, Description, Narration, Argumentation (EDNA)—are common paper assignments you may encounter in your writing classes. Although these genres have been criticized by some composition scholars, the Purdue OWL recognizes the widespread use of these approaches and students’ need to understand and produce them.

What is a narrative essay?

When writing a narrative essay, one might think of it as telling a story. These essays are often anecdotal, experiential, and personal—allowing students to express themselves in a creative and, quite often, moving ways.

Here are some guidelines for writing a narrative essay.

• If written as a story, the essay should include all the parts of a story.

This means that you must include an introduction, plot, characters, setting, climax, and conclusion.

• When would a narrative essay not be written as a story?

A good example of this is when an instructor asks a student to write a book report. Obviously, this would not necessarily follow the pattern of a story and would focus on providing an informative narrative for the reader.

• The essay should have a purpose.

Make a point! Think of this as the thesis of your story. If there is no point to what you are narrating, why narrate it at all?

• The essay should be written from a clear point of view.

It is quite common for narrative essays to be written from the standpoint of the author; however, this is not the sole perspective to be considered. Creativity in narrative essays oftentimes manifests itself in the form of authorial perspective.

• Use clear and concise language throughout the essay.

Much like the descriptive essay, narrative essays are effective when the language is carefully, particularly, and artfully chosen. Use specific language to evoke specific emotions and senses in the reader.

• The use of the first person pronoun ‘I’ is welcomed.

Do not abuse this guideline! Though it is welcomed it is not necessary—nor should it be overused for lack of clearer diction.

• As always, be organized!

Have a clear introduction that sets the tone for the remainder of the essay. Do not leave the reader guessing about the purpose of your narrative. Remember, you are in control of the essay, so guide it where you desire (just make sure your audience can follow your lead).

You are here

The introduction and conclusion serve important roles in a history paper.  They are not simply perfunctory additions in academic writing, but are critical to your task of making a persuasive argument.

A successful introduction will:

- draw your readers in

- culminate in a thesis statement that clearly states your argument

- orient your readers to the key facts they need to know in order to understand your thesis

- lay out a roadmap for the rest of your paper

A successful conclusion will:

- draw your paper together

- reiterate your argument clearly and forcefully

- leave your readers with a lasting impression of why your argument matters or what it brings to light

How to write an effective introduction:

Often students get slowed down in paper-writing because they are not sure how to write the introduction.  Do not feel like you have to write your introduction first simply because it is the first section of your paper.  You can always come back to it after you write the body of your essay.  Whenever you approach your introduction, think of it as having three key parts:

1.  The opening line

2. The middle "stage-setting" section

3.  The thesis statement

To see how to navigate these three parts in practice, look at the below examples of a weak and strong introduction.  Suppose you are taking a Near Eastern history class and your professor has distributed the following paper prompt:

“In a 4-5 page paper, describe the process of nation-building in one Middle Eastern state.  What were the particular goals of nation-building?  What kinds of strategies did the state employ?  What were the results?  Be specific in your analysis, and draw on at least one of the scholars of nationalism that we discussed in class.”

Here is an example of a WEAK introduction for this prompt:

“One of the most important tasks the leader of any country faces is how to build a united and strong nation.  This has been especially true in the Middle East, where the country of Jordan offers one example of how states in the region approached nation-building.  Founded after World War I by the British, Jordan has since been ruled by members of the Hashemite family.  To help them face the difficult challenges of founding a new state, they employed various strategies of nation-building.”

Now, here is a REVISED version of that same introduction:

“Since 1921, when the British first created the mandate of Transjordan and installed Abdullah I as its emir, the Hashemite rulers have faced a dual task in nation-building.  First, as foreigners to the region, the Hashemites had to establish their legitimacy as Jordan’s rightful leaders.  Second, given the arbitrary boundaries of the new nation, the Hashemites had to establish the legitimacy of Jordan itself, binding together the people now called ‘Jordanians.’  To help them address both challenges, the Hashemite leaders crafted a particular narrative of history, what Anthony Smith calls a ‘nationalist mythology.’  By presenting themselves as descendants of the Prophet Muhammad, as leaders of the Arab Revolt, and as the fathers of Jordan’s different tribal groups, they established the authority of their own regime and the authority of the new nation, creating one of the most stable states in the modern Middle East.”

The first draft of the introduction, while a good initial step, is not strong enough to set up a solid, argument-based paper.  Here are the key issues:

1.  Opening line: “One of the most important tasks the leader of any country faces is how to build a united and strong nation.”

-  This first sentence is too general.  From the beginning of your paper, you want to invite your reader into your specific topic, rather than make generalizations that could apply to any nation in any time or place.  Students often run into the problem of writing general or vague opening lines, such as, “War has always been one of the greatest tragedies to befall society.”  Or, “The Great Depression was one of the most important events in American history.”  Avoid statements that are too sweeping or imprecise.  Ask yourself if the sentence you have written can apply in any time or place or could apply to any event or person.  If the answer is yes, then you need to make your opening line more specific.

- Here is the revised opening line: “Since 1921, when the British first created the mandate of Transjordan and installed Abdullah I as its emir, the Hashemite rulers have faced a dual task in nation-building.”

- This is a stronger opening line because it speaks precisely to the topic at hand.  The paper prompt is not asking you to talk about nation-building in general, but nation-building in one specific place.

2.  Stage-setting: “This has been especially true in the Middle East, where the country of Jordan offers one example of how states in the region approached nation-building.  Founded after World War I by the British, Jordan has since been ruled by members of the Hashemite family.”

- This stage-setting section is also too general.  Certainly, such background information is critical for the reader to know, but notice that it simply restates much of the information already in the prompt.  The question already asks you to pick one example, so your job is not simply to reiterate that information, but to explain what kind of example Jordan presents.  You also need to tell your reader why the context you are providing matters.

- Revised stage-setting: “First, as foreigners to the region, the Hashemites had to establish their legitimacy as Jordan’s rightful leaders.  Second, given the arbitrary boundaries of the new nation, the Hashemites had to establish the legitimacy of Jordan itself, binding together the people now called ‘Jordanians.’  To help them address both challenges, the Hashemite rulers crafted a particular narrative of history, what Anthony Smith calls a ‘nationalist mythology.’”

- This stage-setting is stronger because it introduces the reader to the problem at hand.  Instead of simply saying when and why Jordan was created, the author explains why the manner of Jordan’s creation posed particular challenges to nation-building.  It also sets the writer up to address the questions in the prompt, getting at both the purposes of nation-building in Jordan and referencing the scholar of nationalism s/he will be drawing on from class: Anthony Smith.

3.  Thesis statement: “To help them face the difficult challenges of founding a new state, they employed various strategies of nation-building.”

- This thesis statement restates the prompt rather than answers the question.  You need to be specific about what strategies of nation-building Jordan’s leaders used.  You also need to assess those strategies, so that you can answer the part of the prompt that asks about the results of nation-building.

- Revised thesis statement: “By presenting themselves as descendants of the Prophet Muhammad, as leaders of the Arab Revolt, and as the fathers of Jordan’s different tribal groups, they established the authority of their regime and the authority of the new nation, creating one of the most stable states in the modern Middle East.”

- This thesis statement is stronger because:

1.  It directly answers the question in the prompt.  Even though you will be persuading readers of your argument through the evidence you present in the body of your paper, you want to tell them at the outset exactly what you are arguing.

2.  It discusses the significance of the argument, saying that Jordan created an especially stable state.  This helps you answer the question about the results of Jordan’s nation-building project.

3.  It offers a roadmap for the rest of the paper.  The writer knows how to proceed and the reader knows what to expect.  The body of the paper will discuss the Hashemite claims “as descendants from the Prophet Muhammad, as leaders of the Arab Revolt, and as the fathers of Jordan’s different tribal groups.”

If you write your introduction first, be sure to revisit it after you have written your entire essay.  Because your paper will evolve as you write, you need to go back and make sure that the introduction still sets up your argument and still fits your organizational structure.

How to write an effective conclusion:

Your conclusion serves two main purposes.  First, it reiterates your argument in different language than you used in the thesis and body of your paper.  Second, it tells your reader why your argument matters.  In your conclusion, you want to take a step back and consider briefly the historical implications or significance of your topic.  You will not be introducing new information that requires lengthy analysis, but you will be telling your readers what your paper helps bring to light.  Perhaps you can connect your paper to a larger theme you have discussed in class, or perhaps you want to pose a new sort of question that your paper elicits.  There is no right or wrong “answer” to this part of the conclusion: you are now the “expert” on your topic, and this is your chance to leave your reader with a lasting impression based on what you have learned.

Here is an example of an effective conclusion for the same essay prompt:

“To speak of the nationalist mythology the Hashemites created, however, is not to say that it has gone uncontested.  In the 1950s, the Jordanian National Movement unleashed fierce internal opposition to Hashemite rule, crafting an alternative narrative of history in which the Hashemites were mere puppets to Western powers.  Various tribes have also reasserted their role in the region’s past, refusing to play the part of “sons” to Hashemite “fathers.”  For the Hashemites, maintaining their mythology depends on the same dialectical process that John R. Gillis identified in his investigation of commemorations: a process of both remembering and forgetting.  Their myth remembers their descent from the Prophet, their leadership of the Arab Revolt, and the tribes’ shared Arab and Islamic heritage.  It forgets, however, the many different histories that Jordanians champion, histories that the Hashemite mythology has never been able to fully reconcile.”

This is an effective conclusion because it moves from the specific argument addressed in the body of the paper to the question of why that argument matters.  The writer rephrases the argument by saying, “Their myth remembers their descent from the Prophet, their leadership of the Arab Revolt, and the tribes’ shared Arab and Islamic heritage.”  Then, the writer reflects briefly on the larger implications of the argument, showing how Jordan’s nationalist mythology depended on the suppression of other narratives.

Introduction and Conclusion checklist

When revising your introduction and conclusion, check them against the following guidelines:

Does my introduction:

1.  draw my readers in?

2.  culminate in a thesis statement that clearly states my argument?

3.  orient my readers to the key facts they need to know in order to understand my thesis?

4.  lay out a roadmap for the rest of my paper?

Does my conclusion:

1.  draw my paper together?

2.  reiterate my argument clearly and forcefully?

3.  leave my readers with a lasting impression of why my argument matters or what it brings to light?

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Reading Historical Narratives

Before you recreate a historical moment, you'll want to see examples from other students. This lesson shows you a sample historical narrative paragraph and essay. As you read them, think about how the writer made the people, places, and events come to life through description, action, and dialogue.

Reading a Historical Narrative Paragraph

A historical narrative paragraph has three main parts. The topic sentence states the topic and focus of the story. The body sentences explain the main actions of the story. The ending sentence wraps up the historical narrative in an interesting way.

Sample Paragraph

Listen to "Standing Up"

Standing Up

Topic Sentence I never much liked crowds, but I always liked trees. That's why I wasn't thrilled when my mother woke me up before dawn, told me to put on my Sunday dress and shoes, and walked me seven miles to join a million other people on the Mall in Washington, D.C. Body Sentences She said that what we were doing was important because we were standing up for our rights. As I sweated in the hot sun, surrounded by strangers, I felt like I was just standing up. One by one, adults that I couldn't see spoke into the microphone, their voices ringing from loudspeakers like sermon after sermon. I asked Mom when we could go. "We have to hear Dr. King speak, first." I told her I needed to use the bathroom. She said, "Don't be long." But instead of going to the bathroom, I went to a nearby grove to be alone. There was a tree there, and another girl in it, who motioned me upward. I climbed up beside her and suddenly could see over the heads of the crowd to the gleaming white Lincoln Memorial. I could see Dr. King standing there. And, best of all, I could hear him when he spoke those amazing words: "I HAVE A DREAM . . ." Ending Sentence Suddenly, I knew just what I would be standing up for.

Respond to the paragraph.

Answer these questions about the paragraph. Make a copy of this Google doc or download a Word template .

© 2023 Thoughtful Learning. Copying is permitted.

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How to Write a Perfect Narrative Essay (Step-by-Step)

By Status.net Editorial Team on October 17, 2023 — 10 minutes to read

• Understanding a Narrative Essay Part 1
• Typical Narrative Essay Structure Part 2
• Narrative Essay Template Part 3
• Step 1. How to Choose Your Narrative Essay Topic Part 4
• Step 2. Planning the Structure Part 5
• Step 3. Crafting an Intriguing Introduction Part 6
• Step 4. Weaving the Narrative Body Part 7
• Step 5. Creating a Conclusion Part 8
• Step 6. Polishing the Essay Part 9
• Step 7. Feedback and Revision Part 10

Part 1 Understanding a Narrative Essay

A narrative essay is a form of writing where you share a personal experience or tell a story to make a point or convey a lesson. Unlike other types of essays, a narrative essay aims to engage your audience by sharing your perspective and taking them on an emotional journey.

• To begin, choose a meaningful topic . Pick a story or experience that had a significant impact on your life, taught you something valuable, or made you see the world differently. You want your readers to learn from your experiences, so choose something that will resonate with others.
• Next, create an outline . Although narrative essays allow for creative storytelling, it’s still helpful to have a roadmap to guide your writing. List the main events, the characters involved, and the settings where the events took place. This will help you ensure that your essay is well-structured and easy to follow.
• When writing your narrative essay, focus on showing, not telling . This means that you should use descriptive language and vivid details to paint a picture in your reader’s mind. For example, instead of stating that it was a rainy day, describe the sound of rain hitting your window, the feeling of cold wetness around you, and the sight of puddles forming around your feet. These sensory details will make your essay more engaging and immersive.
• Another key aspect is developing your characters . Give your readers an insight into the thoughts and emotions of the people in your story. This helps them connect with the story, empathize with the characters, and understand their actions. For instance, if your essay is about a challenging hike you took with a friend, spend some time describing your friend’s personality and how the experience impacted their attitude or feelings.
• Keep the pace interesting . Vary your sentence lengths and structures, and don’t be afraid to use some stylistic devices like dialogue, flashbacks, and metaphors. This adds more depth and dimension to your story, keeping your readers engaged from beginning to end.

Part 2 Typical Narrative Essay Structure

A narrative essay typically follows a three-part structure: introduction, body, and conclusion.

• Introduction: Start with a hook to grab attention and introduce your story. Provide some background to set the stage for the main events.
• Body: Develop your story in detail. Describe scenes, characters, and emotions. Use dialogue when necessary to provide conversational elements.
• Conclusion: Sum up your story, revealing the lesson learned or the moral of the story. Leave your audience with a lasting impression.

Part 3 Narrative Essay Template

• 1. Introduction : Set the scene and introduce the main characters and setting of your story. Use descriptive language to paint a vivid picture for your reader and capture their attention.
• Body 2. Rising Action : Develop the plot by introducing a conflict or challenge that the main character must face. This could be a personal struggle, a difficult decision, or an external obstacle. 3. Climax : This is the turning point of the story, where the conflict reaches its peak and the main character must make a critical decision or take action. 4. Falling Action : Show the consequences of the main character’s decision or action, and how it affects the rest of the story. 5. Resolution : Bring the story to a satisfying conclusion by resolving the conflict and showing how the main character has grown or changed as a result of their experiences.
• 6. Reflection/Conclusion : Reflect on the events of the story and what they mean to you as the writer. This could be a lesson learned, a personal realization, or a message you want to convey to your reader.

Part 4 Step 1. How to Choose Your Narrative Essay Topic

Brainstorming ideas.

Start by jotting down any ideas that pop into your mind. Think about experiences you’ve had, stories you’ve heard, or even books and movies that have resonated with you. Write these ideas down and don’t worry too much about organization yet. It’s all about getting your thoughts on paper.

Once you have a list, review your ideas and identify common themes or connections between them. This process should help you discover potential topics for your narrative essay.

Narrowing Down the Choices

After brainstorming, you’ll likely end up with a few strong contenders for your essay topic. To decide which topic is best, consider the following:

• Relevance : Is the topic meaningful for your audience? Will they be able to connect with it on a personal level? Consider the purpose of your assignment and your audience when choosing your topic.
• Detail : Do you have enough specific details to craft a vivid story? The more detail you can recall about the event, the easier it’ll be to write a compelling narrative.
• Emotional impact : A strong narrative essay should evoke emotions in your readers. Choose a topic that has the potential to elicit some emotional response from your target audience.

After evaluating your potential topics based on these criteria, you can select the one that best fits the purpose of your narrative essay.

Part 5 Step 2. Planning the Structure

Creating an outline.

Before you start writing your narrative essay, it’s a great idea to plan out your story. Grab a piece of paper and sketch out a rough outline of the key points you want to cover. Begin with the introduction, where you’ll set the scene and introduce your characters. Then, list the major events of your story in chronological order, followed by the climax and resolution. Organizing your ideas in an outline will ensure your essay flows smoothly and makes sense to your readers.

Detailing Characters, Settings, and Events

Taking time to flesh out the characters, settings, and events in your story will make it more engaging and relatable. Think about your main character’s background, traits, and motivations. Describe their appearance, emotions, and behavior in detail. This personal touch will help your readers connect with them on a deeper level.

Also, give some thought to the setting – where does the story take place? Be sure to include sensory details that paint a vivid picture of the environment. Finally, focus on the series of events that make up your narrative. Are there any twists and turns, or surprising moments? Address these in your essay, using vivid language and engaging storytelling techniques to captivate your readers.

Writing the Narrative Essay

Part 6 step 3. crafting an intriguing introduction.

To start your narrative essay, you’ll want to hook your reader with an interesting and engaging opening. Begin with a captivating sentence or question that piques curiosity and captures attention. For example, “Did you ever think a simple bus ride could change your life forever?” This kind of opening sets the stage for a compelling, relatable story. Next, introduce your main characters and provide a bit of context to help your readers understand the setting and background of the story.

Part 7 Step 4. Weaving the Narrative Body

The body of your essay is where your story unfolds. Here’s where you’ll present a series of events, using descriptive language and vivid details.

Remember to maintain a strong focus on the central theme or main point of your narrative.

Organize your essay chronologically, guiding your reader through the timeline of events.

As you recount your experience, use a variety of sensory details, such as sounds, smells, and tastes, to immerse your reader in the moment. For instance, “The smell of freshly brewed coffee filled the room as my friends and I excitedly chattered about our upcoming adventure.”

Take advantage of dialogue to bring your characters to life and to reveal aspects of their personalities. Incorporate both internal and external conflicts, as conflict plays a crucial role in engaging your reader and enhancing the narrative’s momentum. Show the evolution of your characters and how they grow throughout the story.

Part 8 Step 5. Creating a Conclusion

Finally, to write a satisfying conclusion, reflect on the narrative’s impact and how the experience has affected you or your characters. Tie the narrative’s events together and highlight the lessons learned, providing closure for the reader.

Avoid abruptly ending your story, because that can leave the reader feeling unsatisfied. Instead, strive to create a sense of resolution and demonstrate how the events have changed the characters’ perspectives or how the story’s theme has developed.

For example, “Looking back, I realize that the bus ride not only changed my perspective on friendship, but also taught me valuable life lessons that I carry with me to this day.”

Part 9 Step 6. Polishing the Essay

Fine-tuning your language.

When writing a narrative essay, it’s key to choose words that convey the emotions and experiences you’re describing. Opt for specific, vivid language that creates a clear mental image for your reader. For instance, instead of saying “The weather was hot,” try “The sun scorched the pavement, causing the air to shimmer like a mirage.” This gives your essay a more engaging and immersive feeling.

Editing for Clarity and Concision

As you revise your essay, keep an eye out for redundancies and unnecessary words that might dilute the impact of your story. Getting to the point and using straightforward language can help your essay flow better. For example, instead of using “She was walking in a very slow manner,” you can say, “She strolled leisurely.” Eliminate filler words and phrases, keeping only the most pertinent information that moves your story forward.

Proofreading for Typos

Finally, proofread your essay carefully to catch any typos, grammatical errors, or punctuation mistakes. It’s always a good idea to have someone else read it as well, as they might catch errors you didn’t notice. Mistakes can be distracting and may undermine the credibility of your writing, so be thorough with your editing process.

Part 10 Step 7. Feedback and Revision

Gathering feedback.

After you’ve written the first draft of your narrative essay, it’s time to gather feedback from friends, family, or colleagues. Share your essay with a few trusted people who can provide insights and suggestions for improvement. Listen to their thoughts and be open to constructive criticism. You might be surprised by the different perspectives they offer, which can strengthen your essay.

Iterating on the Draft

Once you have collected feedback, it’s time to revise and refine your essay. Address any issues or concerns raised by your readers and incorporate their suggestions. Consider reorganizing your story’s structure, clarifying your descriptions, or adding more details based on the feedback you received.

As you make changes, continue to fine-tune your essay to ensure a smooth flow and a strong narrative. Don’t be afraid to cut out unnecessary elements or rework parts of your story until it’s polished and compelling.

Revision is a crucial part of the writing process, and taking the time to reflect on feedback and make improvements will help you create a more engaging and impactful narrative essay.

Frequently Asked Questions

How can i create an engaging introduction.

Craft an attention-grabbing hook with a thought-provoking question, an interesting fact, or a vivid description. Set the stage for your story by introducing the time, place, and context for the events. Creating tension or raising curiosity will make your readers eager to learn more.

What strategies help develop strong characters?

To develop strong characters, consider the following:

• Give your characters distinct traits, strengths, and weaknesses.
• Provide a backstory to explain their actions and motivations.
• Use dialogue to present their personality, emotions, and relationships.
• Show how they change or evolve throughout your story.

How can I make my story flow smoothly with transitions?

Smooth transitions between scenes or events can create a more coherent and easy-to-follow story. Consider the following tips to improve your transitions:

• Use words and phrases like “meanwhile,” “later that day,” or “afterward” to signify changes in time.
• Link scenes with a common theme or element.
• Revisit the main characters or setting to maintain continuity.
• Introduce a twist or an unexpected event that leads to the next scene.

What are some tips for choosing a great narrative essay topic?

To choose an engaging narrative essay topic, follow these tips:

• Pick a personal experience or story that holds significance for you.
• Consider a challenge or a turning point you’ve faced in your life.
• Opt for a topic that will allow you to share emotions and lessons learned.
• Think about what your audience would find relatable, intriguing, or inspiring.

How do I wrap up my narrative essay with a strong conclusion?

A compelling conclusion restates the main events and highlights any lessons learned or growth in your character. Try to end on a thought-provoking note or leave readers with some food for thought. Finally, make sure your conclusion wraps up your story neatly and reinforces its overall message.

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When writers set down the facts of their lives into a compelling story , they’re writing a narrative essay. Personal narrative essays explore the events of the writer’s own life, and by crafting a nonfiction piece that resonates as storytelling, the essayist can uncover deeper truths in the world.

Narrative essays weave the author’s factual lived experiences into a compelling story.

So, what is a narrative essay? Whether you’re writing for college applications or literary journals , this article separates fact from fiction. We’ll look at how to write a narrative essay through a step-by-step process, including a look at narrative essay topics and outlines. We’ll also analyze some successful narrative essay examples.

Learn how to tell your story, your way. Let’s dive into this exciting genre!

What is a Narrative Essay?

The narrative essay is a branch of creative nonfiction . Also known as a personal essay, writers of this genre are tasked with telling honest stories about their lived experiences and, as a result, arriving at certain realizations about life.

Think of personal narrative essays as nonfiction short stories . While the essay and the short story rely on different writing techniques, they arrive at similar outcomes: a powerful story with an idea, theme , or moral that the reader can interpret for themselves.

Now, if you haven’t written a narrative essay before, you might associate the word “essay” with high school English class. Remember those tedious 5-paragraph essays we had to write, on the topic of some book we barely read, about subject matter that didn’t interest us?

Don’t worry—that’s not the kind of essay we’re talking about. The word essay comes from the French essayer , which means “to try.” That’s exactly what writing a narrative essay is: an attempt at organizing the real world into language—a journey of making meaning from the chaos of life.

Narrative essays work to surface meaning from lived experience.

Narrative Essay Example

A great narrative essay example is the piece “Flow” by Mary Oliver, which you can read for free in Google Books .

The essay dwells on, as Mary Oliver puts it, the fact that “we live in paradise.” At once both an ode to nature and an urge to love it fiercely, Oliver explores our place in the endless beauty of the world.

Throughout the essay, Oliver weaves in her thoughts about the world, from nature’s noble beauty to the question “What is the life I should live?” Yet these thoughts, however profound, are not the bulk of the essay. Rather, she arrives at these thoughts via anecdotes and observations: the migration of whales, the strings of fish at high tide, the inventive rescue of a spiny fish from the waterless shore, etc.

What is most profound about this essay, and perhaps most amusing, is that it ends with Oliver’s questions about how to live life. And yet, the stories she tells show us exactly how to live life: with care for the world; with admiration; with tenderness towards all of life and its superb, mysterious, seemingly-random beauty.

Such is the power of the narrative essay. By examining the random facts of our lives, we can come to great conclusions.

What do most essays have in common? Let’s look at the fundamentals of the essay, before diving into more narrative essay examples.

Narrative Essay Definition: 5 Fundamentals

The personal narrative essay has a lot of room for experimentation. We’ll dive into those opportunities in a bit, but no matter the form, most essays share these five fundamentals.

• Personal experience
• Meaning from chaos
• The use of literary devices

Let’s explore these fundamentals in depth.

All narrative essays have a thesis statement. However, this isn’t the formulaic thesis statement you had to write in school: you don’t need to map out your argument with painstaking specificity, you need merely to tell the reader what you’re writing about.

Take the aforementioned essay by Mary Oliver. Her thesis is this: “How can we not know that, already, we live in paradise?”

It’s a simple yet provocative statement. By posing her thesis as a question, she challenges us to consider why we might not treat this earth as paradise. She then delves into her own understanding of this paradise, providing relevant stories and insights as to how the earth should be treated.

Now, be careful with abstract statements like this. Mary Oliver is a master of language, so she’s capable of creating a thesis statement out of an abstract idea and building a beautiful essay. But concrete theses are also welcome: you should compel the reader forward with the central argument of your work, without confusing them or leading them astray.

You should compel the reader forward with the central argument of your work, without confusing them or leading them astray

2. Personal Experience

The personal narrative essay is, shockingly, about personal experience. But how do writers distill their experiences into meaningful stories?

There are a few techniques writers have at their disposal. Perhaps the most common of these techniques is called braiding . Rather than focusing on one continuous story, the writer can “braid” different stories, weaving in and out of different narratives and finding common threads between them. Often, the subject matter of the essay will require more than one anecdote as evidence, and braiding helps the author uphold their thesis while showing instead of telling .

Another important consideration is how you tell your story . Essayists should consider the same techniques that fiction writers use. Give ample consideration to your essay’s setting , word choice , point of view , and dramatic structure . The narrative essay is, after all, a narrative, so tell your story how it deserves to be told.

3. Meaning from Chaos

Life, I think we can agree, is chaotic. While we can trace the events of our lives through cause and effect, A leads to B leads to C, the truth is that so much of our lives are shaped through circumstances beyond our control.

The narrative essay is a way to reclaim some of that control. By distilling the facts of our lives into meaningful narratives, we can uncover deeper truths that we didn’t realize existed.

By distilling the facts of our lives into meaningful narratives, we can uncover deeper truths that we didn’t realize existed.

Consider the essay “ Only Daughter ” by Sandra Cisneros. It’s a brief read, but it covers a lot of different events: a lonesome childhood, countless moves, university education, and the trials and tribulations of a successful writing career.

Coupled with Cisneros’ musings on culture and gender roles, there’s a lot of life to distill in these three pages. Yet Cisneros does so masterfully. By organizing these life events around her thesis statement of being an only daughter, Cisneros finds meaning in the many disparate events she describes.

As you go about writing a narrative essay, you will eventually encounter moments of insight . Insight describes those “aha!” moments in the work—places in which you come to deeper realizations about your life, the lives of others, and the world at large.

Now, insight doesn’t need to be some massive, culture-transforming realization. Many moments of insight are found in small interactions and quiet moments.

For example, In the above essay by Sandra Cisneros, her moments of insight come from connecting her upbringing to her struggle as an only daughter. While her childhood was often lonely and disappointing, she realizes in hindsight that she’s lucky for that upbringing: it helped nurture her spirit as a writer, and it helped her pursue a career in writing. These moments of gratitude work as insight, allowing her to appreciate what once seemed like a burden.

When we reach the end of the essay, and Cisneros describes how she felt when her father read one of her stories, we see what this gratitude is building towards: love and acceptance for the life she chose.

5. Literary Devices

The personal narrative essay, as well as all forms of creative writing, uses its fair share of literary devices . These devices don’t need to be complex: you don’t need a sprawling extended metaphor or an intricate set of juxtapositions to make your essay compelling.

However, the occasional symbol or metaphor will certainly aid your story. In Mary Oliver’s essay “Flow,” the author uses literary devices to describe the magnificence of the ocean, calling it a “cauldron of changing greens and blues” and “the great palace of the earth.” These descriptions reinforce the deep beauty of the earth.

In Sandra Cisneros’ essay “Only Daughter,” the author employs different symbols to represent her father’s masculinity and sense of gender roles. At one point, she lists the few things he reads—sports journals, slasher magazines, and picture paperbacks, often depicting scenes of violence against women. These symbols represent the divide between her father’s gendered thinking and her own literary instincts.

More Narrative Essay Examples

Let’s take a look at a few more narrative essay examples. We’ll dissect each essay based on the five fundamentals listed above.

Narrative Essay Example: “Letting Go” by David Sedaris

Read “Letting Go” here in The New Yorker .

Sedaris’ essay dwells on the culture of cigarette smoking—how it starts, the world it builds, and the difficulties in quitting. Let’s analyze how this narrative essay example uses the five fundamentals of essay writing.

• Thesis: There isn’t an explicitly defined thesis, which is common for essays that are meant to be humorous or entertaining. However, this sentence is a plausible thesis statement: “It wasn’t the smoke but the smell of it that bothered me. In later years, I didn’t care so much, but at the time I found it depressing: the scent of neglect.”
• Personal Experience: Sedaris moves between many different anecdotes about smoking, from his family’s addiction to cigarettes to his own dependence. We learn about his moving around for cheaper smokes, his family’s struggle to quit, and the last cigarette he smoked in the Charles de Gaulle airport.
• Meaning from Chaos: Sedaris ties many disparate events together. We learn about his childhood and his smoking years, but these are interwoven with anecdotes about his family and friends. What emerges is a narrative about the allure of smoking.
• Insight: Two parts of this essay are especially poignant. One, when Sedaris describes his mother’s realization that smoking isn’t sophisticated, and soon quits her habit entirely. Two, when Sedaris is given the diseased lung of a chain smoker, and instead of thinking about his own lungs, he’s simply surprised at how heavy the lung is.
• Literary Devices: Throughout the essay, Sedaris demonstrates how the cigarette symbolizes neglect: neglect of one’s body, one’s space, and one’s self-presentation.

 Narrative Essay Example: “My Mother’s Tongue” by Zavi Kang Engles

Read “My Mother’s Tongue” here in The Rumpus .

Engles’ essay examines the dysphoria of growing up between two vastly different cultures and languages. By asserting the close bond between Korean language and culture, Engles explores the absurdities of growing up as a child of Korean immigrants. Let’s analyze how this narrative essay example uses the five fundamentals of essay writing.

• Thesis: Engles’ essay often comes back to her relationship with the Korean language, especially as it relates to other Korean speakers. This relationship is best highlighted when she writes “I glowed with [my mother’s] love, basked in the warm security of what I thought was a language between us. Perhaps this is why strangers asked for our photos, in an attempt to capture a secret world between two people.”This “secret world” forms the crux of her essay, charting not only how Korean-Americans might exist in relation to one another, but also how Engles’ language is strongly tied to her identity and homeland.
• Personal Experience: Engles writes about her childhood attachment to both English and Korean, her adolescent fallout with the Korean language, her experiences as “not American enough” in the United States and “not Korean enough” in Korea, and her experiences mourning in a Korean hospital.
• Meaning from Chaos: In addition to the above events, Engles ties in research about language and identity (also known as code switching ). Through language and identity, the essay charts the two different cultures that the author stands between, highlighting the dissonance between Western individualism and an Eastern sense of belonging.
• Insight: There are many examples of insight throughout this essay as the author explores how out of place she feels, torn between two countries. An especially poignant example comes from Engles’ experience in a Korean hospital, where she writes “I didn’t know how to mourn in this country.”
• Literary Devices: The essay frequently juxtaposes the languages and cultures of Korea and the United States. Additionally, the English language comes to symbolize Western individualism, while the Korean language comes to symbolize Eastern collectivism.

Narrative Essay Example: 3 Rules for Middle-Age Happiness by Deborah Copaken

Read “3 Rules for Middle-Age Happiness” here in The Atlantic .

Copaken’s essay explores her relationship to Nora Ephron, the screenwriter for When Harry Met Sally . Let’s analyze how this narrative essay example uses the five fundamentals of essay writing.

• Thesis: This essay hands us the thesis statement in its subtitle: “Gather friends and feed them, laugh in the face of calamity, and cut out all the things—people, jobs, body parts—that no longer serve you.”
• Personal Experience: Copaken weaves two different threads through this essay. One thread is her personal life, including a failing marriage, medical issues, and her attempts at building a happy family. The other is Copaken’s personal relationship to Ephron, whose advice coincides with many of the essay’s insights.
• Meaning from Chaos: This essay organizes its events chronologically. However, the main sense of organization is found in the title: many of the essayist’s problems can be perceived as middle-aged crises (family trouble, divorce, death of loved ones), but the solutions to those crises are simpler than one might realize.
• Insight: In writing this essay, Copaken explores her relationship to Ephron, as well as Copaken’s own relationship to her children. She ties these experiences together at the end, when she writes “The transmission of woes is a one-way street, from child to mother. A good mother doesn’t burden her children with her pain. She waits until it becomes so heavy, it either breaks her or kills her, whichever comes first.”
• Literary Devices: The literary devices in this article explore the author’s relationship to womanhood. She wonders if having a hysterectomy will make her “like less of a woman.” Also important is the fact that, when the author has her hysterectomy, her daughter has her first period. Copaken uses this to symbolize the passing of womanhood from mother to daughter, which helps bring her to the above insight.

How to Write a Narrative Essay in 5 Steps

No matter the length or subject matter, writing a narrative essay is as easy as these five steps.

1. Generating Narrative Essay Ideas

If you’re not sure what to write about, you’ll want to generate some narrative essay ideas. One way to do this is to look for writing prompts online: Reedsy adds new prompts to their site every week, and we also post writing prompts every Wednesday to our Facebook group .

Taking a step back, it helps to simply think about formative moments in your life. You might a great idea from answering one of these questions:

• When did something alter my worldview, personal philosophy, or political beliefs?
• Who has given me great advice, or helped me lead a better life?
• What moment of adversity did I overcome and grow stronger from?
• What is something that I believe to be very important, that I want other people to value as well?
• What life event of mine do I not yet fully understand?
• What is something I am constantly striving for?
• What is something I’ve taken for granted, but am now grateful for?

Finally, you might be interested in the advice at our article How to Come Up with Story Ideas . The article focuses on fiction writers, but essayists can certainly benefit from these tips as well.

2. Drafting a Narrative Essay Outline

Once you have an idea, you’ll want to flesh it out in a narrative essay outline.

Your outline can be as simple or as complex as you’d like, and it all depends on how long you intend your essay to be. A simple outline can include the following:

• Introduction—usually a relevant anecdote that excites or entices the reader.
• Event 1: What story will I use to uphold my argument?
• Analysis 1: How does this event serve as evidence for my thesis?
• Conclusion: How can I tie these events together? What do they reaffirm about my thesis? And what advice can I then impart on the reader, if any?

One thing that’s missing from this outline is insight. That’s because insight is often unplanned: you realize it as you write it, and the best insight comes naturally to the writer. However, if you already know the insight you plan on sharing, it will fit best within the analysis for your essay, and/or in the essay’s conclusion.

Insight is often unplanned: you realize it as you write it, and the best insight comes naturally to the writer.

Another thing that’s missing from this is research. If you plan on intertwining your essay with research (which many essayists should do!), consider adding that research as its own bullet point under each heading.

For a different, more fiction-oriented approach to outlining, check out our article How to Write a Story Outline .

3. Starting with a Story

Now, let’s tackle the hardest question: how to start a narrative essay?

Most narrative essays begin with a relevant story. You want to draw the reader in right away, offering something that surprises or interests them. And, since the essay is about you and your lived experiences, it makes sense to start your essay with a relevant anecdote.

Think about a story that’s relevant to your thesis, and experiment with ways to tell this story. You can start with a surprising bit of dialogue , an unusual situation you found yourself in, or a beautiful setting. You can also lead your essay with research or advice, but be sure to tie that in with an anecdote quickly, or else your reader might not know where your essay is going.

For examples of this, take a look at any of the narrative essay examples we’ve used in this article.

Theoretically, your thesis statement can go anywhere in the essay. You may have noticed in the previous examples that the thesis statement isn’t always explicit or immediate: sometimes it shows up towards the center of the essay, and sometimes it’s more implied than stated directly.

You can experiment with the placement of your thesis, but if you place your thesis later in the essay, make sure that everything before the thesis is intriguing to the reader. If the reader feels like the essay is directionless or boring, they won’t have a reason to reach your thesis, nor will they understand the argument you’re making.

4. Getting to the Core Truth

With an introduction and a thesis underway, continue writing about your experiences, arguments, and research. Be sure to follow the structure you’ve sketched in your outline, but feel free to deviate from this outline if something more natural occurs to you.

Along the way, you will end up explaining why your experiences matter to the reader. Here is where you can start generating insight. Insight can take the form of many things, but the focus is always to reach a core truth.

Insight might take the following forms:

• Realizations from connecting the different events in your life.
• Advice based on your lived mistakes and experiences.
• Moments where you change your ideas or personal philosophy.
• Richer understandings about life, love, a higher power, the universe, etc.

5. Relentless Editing

With a first draft of your narrative essay written, you can make your essay sparkle in the editing process.

Remember, a first draft doesn’t have to be perfect, it just needs to exist.

Remember, a first draft doesn’t have to be perfect, it just needs to exist. Here are some things to focus on in the editing process:

• Clarity: Does every argument make sense? Do my ideas flow logically? Are my stories clear and easy to follow?
• Structure: Does the procession of ideas make sense? Does everything uphold my thesis? Do my arguments benefit from the way they’re laid out in this essay?
• Style: Do the words flow when I read them? Do I have a good mix of long and short sentences? Have I omitted any needless words ?
• Literary Devices: Do I use devices like similes, metaphors, symbols, or juxtaposition? Do these devices help illustrate my ideas?
• Mechanics: Is every word spelled properly? Do I use the right punctuation? If I’m submitting this essay somewhere, does it follow the formatting guidelines?

Your essay can undergo any number of revisions before it’s ready. Above all, make sure that your narrative essay is easy to follow, every word you use matters, and that you come to a deeper understanding about your own life.

Above all, make sure that your narrative essay is easy to follow, every word you use matters, and that you come to a deeper understanding about your own life.

Next Steps for Narrative Essayists

When you have a completed essay, what’s next? You might be interested in submitting to some literary journals . Here’s 24 literary journals you can submit to—we hope you find a great home for your writing!

If you’re looking for additional feedback on your work, feel free to join our Facebook group . You can also take a look at our upcoming nonfiction courses , where you’ll learn the fundamentals of essay writing and make your story even more compelling.

Writing a narrative essay isn’t easy, but you’ll find that the practice can be very rewarding. You’ll learn about your lived experiences, come to deeper conclusions about your personal philosophies, and perhaps even challenge the way you approach life. So find some paper, choose a topic, and get writing—the world is waiting for your story!

Sean Glatch

Thanks for a superbly efficient and informative article…

We’re glad it was helpful, Mary!

Very helpful,, Thanks!!!

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Detailed Guide on How to Write a Narrative Essay with Tips

Defining What Is a Narrative Essay

We can explain a narrative essay definition as a piece of writing that tells a story. It's like a window into someone's life or a page torn from a diary. Similarly to a descriptive essay, a narrative essay tells a story, rather than make a claim and use evidence. It can be about anything – a personal experience, a childhood memory, a moment of triumph or defeat – as long as it's told in a way that captures the reader's imagination.

You might ask - 'which sentence most likely comes from a narrative essay?'. Let's take this for example: 'I could hear the waves crashing against the shore, their rhythm a soothing lullaby that carried me off to sleep.' You could even use such an opening for your essay when wondering how to start a narrative essay.

To further define a narrative essay, consider it storytelling with a purpose. The purpose of a narrative essay is not just to entertain but also to convey a message or lesson in first person. It's a way to share your experiences and insights with others and connect with your audience. Whether you're writing about your first love, a harrowing adventure, or a life-changing moment, your goal is to take the reader on a journey that will leave them feeling moved, inspired, or enlightened.

So if you're looking for a way to express yourself creatively and connect with others through your writing, try your hand at a narrative essay. Who knows – you might just discover a hidden talent for storytelling that you never knew you had!

Meanwhile, let's delve into the article to better understand this type of paper through our narrative essay examples, topic ideas, and tips on constructing a perfect essay.

Types of Narrative Essays

If you were wondering, 'what is a personal narrative essay?', know that narrative essays come in different forms, each with a unique structure and purpose. Regardless of the type of narrative essay, each aims to transport the reader to a different time and place and to create an emotional connection between the reader and the author's experiences. So, let's discuss each type in more detail:

• A personal narrative essay is based on one's unique experience or event. Personal narrative essay examples include a story about overcoming a fear or obstacle or reflecting on a particularly meaningful moment in one's life.
• A fictional narrative is a made-up story that still follows the basic elements of storytelling. Fictional narratives can take many forms, from science fiction to romance to historical fiction.
• A memoir is similar to personal narratives but focuses on a specific period or theme in a person's life. Memoirs might be centered around a particular relationship, a struggle with addiction, or a cultural identity. If you wish to describe your life in greater depth, you might look at how to write an autobiography .
• A literacy narrative essay explores the writer's experiences with literacy and how it has influenced their life. The essay typically tells a personal story about a significant moment or series of moments that impacted the writer's relationship with reading, writing, or communication.

You might also be interested in discovering 'HOW TO WRITE AN AUTOBIOGRAPHY'

Pros and Cons of Narrative Writing

Writing a narrative essay can be a powerful tool for self-expression and creative storytelling, but like any form of writing, it comes with its own set of pros and cons. Let's explore the pros and cons of narrative writing in more detail, helping you to decide whether it's the right writing style for your needs.

• It can be a powerful way to convey personal experiences and emotions.
• Allows for creative expression and unique voice
• Engages the reader through storytelling and vivid details
• It can be used to teach a lesson or convey a message.
• Offers an opportunity for self-reflection and growth
• It can be challenging to balance personal storytelling with the needs of the reader
• It may not be as effective for conveying factual information or arguments
• It may require vulnerability and sharing personal details that some writers may find uncomfortable
• It can be subjective, as the reader's interpretation of the narrative may vary

If sharing your personal stories is not your cup of tea, you can buy essays online from our expert writers, who will customize the paper to your particular writing style and tone.

20 Excellent Narrative Essay Topics and How to Choose One

Choosing a good topic among many narrative essay ideas can be challenging, but some tips can help you make the right choice. Here are some original and helpful tips on how to choose a good narrative essay topic:

• Consider your own experiences: One of the best sources of inspiration for a narrative essay is your own life experiences. Consider moments that have had a significant impact on you, whether they are positive or negative. For example, you could write about a memorable trip or a challenging experience you overcame.
• Choose a topic relevant to your audience: Consider your audience and their interests when choosing a narrative essay topic. If you're writing for a class, consider what topics might be relevant to the course material. If you're writing for a broader audience, consider what topics might be interesting or informative to them.
• Find inspiration in literature: Literature can be a great source of inspiration for a narrative essay. Consider the books or stories that have had an impact on you, and think about how you can incorporate elements of them into your own narrative. For example, you could start by using a title for narrative essay inspired by the themes of a favorite novel or short story.
• Focus on a specific moment or event: Most narrative essays tell a story, so it's important to focus on a specific moment or event. For example, you could write a short narrative essay about a conversation you had with a friend or a moment of realization while traveling.
• Experiment with different perspectives: Consider writing from different perspectives to add depth and complexity to your narrative. For example, you could write about the same event from multiple perspectives or explore the thoughts and feelings of a secondary character.
• Use writing prompts: Writing prompts can be a great source of inspiration if you struggle to develop a topic. Consider using a prompt related to a specific theme, such as love, loss, or growth.
• Choose a topic with rich sensory details: A good narrative essay should engage the senses and create a vivid picture in the reader's mind. Choose a topic with rich sensory details that you can use to create a vivid description. For example, you could write about a bustling city's sights, sounds, and smells.
• Choose a topic meaningful to you: Ultimately, the best narrative essays are meaningful to the writer. Choose a topic that resonates with you and that you feel passionate about. For example, you could write about a personal goal you achieved or a struggle you overcame.

Here are some good narrative essay topics for inspiration from our experts:

• A life-changing event that altered your perspective on the world
• The story of a personal accomplishment or achievement
• An experience that tested your resilience and strength
• A time when you faced a difficult decision and how you handled it
• A childhood memory that still holds meaning for you
• The impact of a significant person in your life
• A travel experience that taught you something new
• A story about a mistake or failure that ultimately led to growth and learning
• The first day of a new job or school
• The story of a family tradition or ritual that is meaningful to you
• A time when you had to confront a fear or phobia
• A memorable concert or music festival experience
• An experience that taught you the importance of communication or listening
• A story about a time when you had to stand up for what you believed in
• A time when you had to persevere through a challenging task or project
• A story about a significant cultural or societal event that impacted your life
• The impact of a book, movie, or other work of art on your life
• A time when you had to let go of something or someone important to you
• A memorable encounter with a stranger that left an impression on you
• The story of a personal hobby or interest that has enriched your life

Narrative Format and Structure

The narrative essay format and structure are essential elements of any good story. A well-structured narrative can engage readers, evoke emotions, and create lasting memories. Whether you're writing a personal essay or a work of fiction, the following guidelines on how to write a narrative essay can help you create a compelling paper:

• Introduction : The introduction sets the scene for your story and introduces your main characters and setting. It should also provide a hook to capture your reader's attention and make them want to keep reading. When unsure how to begin a narrative essay, describe the setting vividly or an intriguing question that draws the reader in.
• Plot : The plot is the sequence of events that make up your story. It should have a clear beginning, middle, and end, with each part building on the previous one. The plot should also have a clear conflict or problem the protagonist must overcome.
• Characters : Characters are the people who drive the story. They should be well-developed and have distinct personalities and motivations. The protagonist should have a clear goal or desire, and the antagonist should provide a challenge or obstacle to overcome.
• Setting : The setting is the time and place the story takes place. It should be well-described and help to create a mood or atmosphere that supports the story's themes.
• Dialogue : Dialogue is the conversation between characters. It should be realistic and help to reveal the characters' personalities and motivations. It can also help to move the plot forward.
• Climax : The climax is the highest tension or conflict point in the story. It should be the turning point that leads to resolving the conflict.
• Resolution : The resolution is the end of the story. It should provide a satisfying conclusion to the conflict and tie up any loose ends.

Following these guidelines, you can create a narrative essay structure that engages readers and leaves a lasting impression. Remember, a well-structured story can take readers on a journey and make them feel part of the action.

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Narrative Essay Outline

Here is a detailed narrative essay outline from our custom term paper writing :

Introduction

A. Hook: Start with an attention-grabbing statement, question, or anecdote that introduces the topic and draws the reader in. Example: 'The sun beat down on my skin as I stepped onto the stage, my heart pounding with nervous excitement.'

B. Background information: Provide context for the story, such as the setting or the characters involved. Example: 'I had been preparing for this moment for weeks, rehearsing my lines and perfecting my performance for the school play.'

C. Thesis statement: State the essay's main point and preview the events to come. Example: 'This experience taught me that taking risks and stepping outside my comfort zone can lead to unexpected rewards and personal growth.'

Body Paragraphs

A. First event: Describe the first event in the story, including details about the setting, characters, and actions. Example: 'As I delivered my first lines on stage, I felt a rush of adrenaline and a sense of pride in my hard work paying off.'

B. Second event: Describe the second event in the story, including how it builds on the first event and moves the story forward. Example: 'As the play progressed, I became more comfortable in my role and connecting with the other actors on stage.'

C. Turning point: Describe the turning point in the story, when something unexpected or significant changes the course of events. Example: 'In the final act, my character faced a difficult decision that required me to improvise and trust my instincts.'

D. Climax: Describe the story's climax, the highest tension or conflict point. Example: 'As the play reached its climax, I delivered my final lines with confidence and emotion, feeling a sense of accomplishment and fulfillment.'

A. Restate thesis: Summarize the essay's main point and how the events in the story support it. Example: 'Through this experience, I learned that taking risks and pushing past my comfort zone can lead to personal growth and unexpected rewards.'

B. Reflection: Reflect on the significance of the experience and what you learned from it. Example: 'Looking back, I realize that this experience not only taught me about acting and performance but also about the power of perseverance and self-belief.'

C. Call to action: if you're still wondering how to write an essay conclusion , consider ending it with a call to action or final thought that leaves the reader with something to consider or act on. Example: 'I encourage everyone to take risks and embrace new challenges because you never know what kind of amazing experiences and growth they may lead to.

You might also be interested in getting detailed info on 'HOW TO WRITE AN ESSAY CONCLUSION'

Narrative Essay Examples

Are you looking for inspiration for your next narrative essay? Look no further than our narrative essay example. Through vivid storytelling and personal reflections, this essay takes the reader on a journey of discovery and leaves them with a powerful lesson about the importance of compassion and empathy. Use this sample from our expert essay writer as a guide for crafting your own narrative essay, and let your unique voice and experiences shine through.

Narrative Essay Example for College

College professors search for the following qualities in their students:

• the ability to adapt to different situations,
• the ability to solve problems creatively,
• and the ability to learn from mistakes.

Your work must demonstrate these qualities, regardless of whether your narrative paper is a college application essay or a class assignment. Additionally, you want to demonstrate your character and creativity. Describe a situation where you have encountered a problem, tell the story of how you came up with a unique approach to solving it, and connect it to your field of interest. The narrative can be exciting and informative if you present it in such fashion.

Narrative Essay Example for High School

High school is all about showing that you can make mature choices. You accept the consequences of your actions and retrieve valuable life lessons. Think of an event in which you believe your actions were exemplary and made an adult choice. A personal narrative essay example will showcase the best of your abilities. Finally, use other sources to help you get the best results possible. Try searching for a sample narrative essay to see how others have approached it.

Final Words

So now that you know what is a narrative essay you might want to produce high-quality paper. For that let our team of experienced writers help. Our research paper writing service offers a range of professional writing services that cater to your unique needs and requirements, from narrative essays to research papers, also offering dissertation help and more.

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How to Write a Narrative Essay — A Step-by-Step Guide

N arrative essays are important papers most students have to write. But how does one write a narrative essay? Fear not, we’re going to show you how to write a narrative essay by breaking down a variety of narrative writing strategies. By the end, you’ll know why narrative essays are so important – and how to write your own.

How to Write a Narrative Essay Step by Step

Background on narrative essays.

Narrative essays are important assignments in many writing classes – but what is a narrative essay? A narrative essay is a prose-written story that’s focused on the commentary of a central theme .

Narrative essays are generally written in the first-person POV , and are usually about a topic that’s personal to the writer.

Everything in a narrative essay should take place in an established timeline, with a clear beginning, middle, and end. 

In simplest terms, a narrative essay is a personal story. A narrative essay can be written in response to a prompt or as an independent exercise.

We’re going to get to tips and tricks on how to write a narrative essay in a bit, but first let’s check out a video on “story.” 

How to Start a Narrative Essay  •  What is a Story? by Mr. Kresphus

In some regards, any story can be regarded as a personal story, but for the sake of this article, we’re going to focus on prose-written stories told in the first-person POV.

How to Start a Narrative Essay

Responding to prompts.

Many people wonder about how to start a narrative essay. Well, if you’re writing a narrative essay in response to a prompt, then chances are the person issuing the prompt is looking for a specific answer.

For example: if the prompt states “recount a time you encountered a challenge,” then chances are the person issuing the prompt wants to hear about how you overcame a challenge or learned from it.

That isn’t to say you have to respond to the prompt in one way; “overcoming” or “learning” from a challenge can be constituted in a variety of ways.

For example, you could structure your essay around overcoming a physical challenge, like an injury or disability. Or you could structure your essay around learning from failure, such as losing at a sport or performing poorly on an important exam.

Whatever it is, you must show that the challenge forced you to grow. 

Maturation is an important process – and an essential aspect of narrative essays... of course, there are exceptions to the rule; lack of maturation is a prescient theme in narrative essays too; although that’s mostly reserved for experienced essay writers.

So, let’s take a look at how you might respond to a series of narrative essay prompts:

How successful are you?

This prompt begs the writer to impart humility without throwing a pity party. I would respond to this prompt by demonstrating pride in what I do while offering modesty. For example: “I have achieved success in what I set out to do – but I still have a long way to go to achieve my long-term goals.”

Who is your role model?

“My role model is [Blank] because ” is how you should start this narrative essay. The “because” is the crux of your essay. For example, I’d say “Bill Russell is my role model because he demonstrated graceful resolve in the face of bigotry and discrimination. 

Do you consider yourself spiritual?

For this prompt, you should explain how you came to the conclusion of whether or not you consider yourself a spiritual person. Of course, prompt-givers will differ on how much they want you to freely express. For example: if the prompt-giver is an employee at an evangelizing organization, then they probably want to see that you’re willing to propagate the church’s agenda. Alternatively, if the prompt-giver is non-denominational, they probably want to see that you’re accepting of people from various spiritual backgrounds.

How to Write Narrative Essay

What makes a good narrative essay.

You don’t have to respond to a prompt to write a narrative essay. So, how do you write a narrative essay without a prompt? Well, that’s the thing… you can write a narrative essay about anything!

That’s a bit of a blessing and a curse though – on one hand it’s liberating to choose any topic you want; on the other, it’s difficult to narrow down a good story from an infinite breadth of possibilities.

In this next video, the team at Essay Pro explores why passion is the number one motivator for effective narrative essays.

How to Write a Narrative Essay Step by Step  •  Real Essay Examples by Essay Pro

So, before you write anything, ask yourself: “what am I passionate about?” Movies? Sports? Books? Games? Baking? Volunteering? Whatever it is, make sure that it’s something that demonstrates your individual growth . It doesn’t have to be anything major; take a video game for example: you could write a narrative essay about searching for a rare weapon with friends.

Success or failure, you’ll be able to demonstrate growth.

Here’s something to consider: writing a narrative essay around intertextuality. What is intertextuality ? Intertextuality is the relationship between texts, i.e., books, movies, plays, songs, games, etc. In other words, it’s anytime one text is referenced in another text.

For example, you could write a narrative essay about your favorite movie! Just make sure that it ultimately reflects back on yourself. 

Narrative Writing Format

Structure of a narrative essay.

Narrative essays differ in length and structure – but there are some universal basics. The first paragraph of a narrative essay should always introduce the central theme. For example, if the narrative essay is about “a fond childhood memory,” then the first paragraph should briefly comment on the nature of the fond childhood memory.

In general, a narrative essay should have an introductory paragraph with a topic sentence (reiterating the prompt or basic idea), a brief commentary on the central theme, and a set-up for the body paragraphs.

The body paragraphs should make up the vast majority of the narrative essay. In the body paragraphs, the writer should essentially “build the story’s case.” What do I mean by “build the story’s case?”

Well, I mean that the writer should display the story’s merit; what it means, why it matters, and how it proves (or refutes) personal growth.

The narrative essay should always conclude with a dedicated paragraph. In the “conclusion paragraph,” the writer should reflect on the story.

Pro tip: conclusion paragraphs usually work best when the writer stays within the diegesis. 

What is a Video Essay?

A video essay is a natural extension of a narrative essay; differentiated only by purpose and medium. In our next article, we’ll explain what a video essay is, and why it’s so important to media criticism. By the end, you’ll know where to look for video essay inspiration.

Up Next: The Art of Video Analysis →

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Narrative Essay

Narrative Essay Examples

Narrative Essay Examples: Free Examples to Help You Learn

Published on: Jun 23, 2018

Last updated on: Oct 16, 2023

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Narrative essay examples are great to help you understand how to write high-quality and effective narrative essay. This blog has included several narrative essay examples that will help you understand how to write A-worthy narrative essay.

A narrative essay is a form of storytelling where you have to provide sensory details of your personal experience. However, when writing a  narrative essay , you will have to follow a set pattern and the guidelines closely.

Besides learning these basics, skimming through essay examples is also a great way of learning. In this blog, we will explain the basics to write a narrative essay with the help of narrative essay examples.

The examples given here will help you understand how to explain the plot, characters, setting, and the entire theme effectively.

Before writing your essay, make sure you go through a sufficient number of narrative essay examples. These examples will help you in knowing the dos and don’ts of a good narrative essay.

It is always a better option to have some sense of direction before you start anything. Below, you can find important details and a bunch of narrative essay examples. These examples will also help you build your content according to the format.

Sample Narrative Essay

The examples inform the readers about the writing style and structure of the narration. The essay below will help you understand how to create a story and build this type of essay in no time.

Introduction

The villagers had lost a few goats and poultry to a mystery. The mystery of the missing farm animals spread like a wildfire in the village. Many speculated there were thieves in the village while others suggested a wild beast was on the run. Despite several speculations, the mystery of the disappearances remained unsolved. The whole village was in a state of dismay when the tiger appeared and launched another attack on the village.

The prey was not any farm animal this time, it was a young child playing by the barn. The villagers had had enough, they had to put a stop to it once and for all. They organized a group of the bravest men from the village, armed them with shotguns and knives, and planned to attack the tiger. They also took a goat to lure to the tiger in our trap.

The plan was to trap the tiger and later kill him. I was amongst the members of the group who left for the jungle late at night. For hours we did not hear anything except the mosquitoes and crickets around us. Then we found paw prints on the muddy ground which assured us of the tiger’s usual trail. Thereupon, as the sun rose we set up a trap using a goat as bait. We were assured that this would catch the tiger immediately.

We had almost given up when suddenly around daybreak we heard the bushes rustle and the leaves crackle. All of us shivered to our spines and saw the mystery east coming towards us. We changed our guns and pointed it towards the wild beast. We steadied our guns towards the tiger as he jumped to grab the goat. He fell into the trap. One of the members shot the tiger dead and we rescued the goat safely back to our village.

The mission was accomplished. We had killed the wild beast and had emerged successful. It was an amazing hunting trip. One that would always remain in my memory for all time to come.

Narrative Essay Example For High School

The narrative essay example for high school will help you build your own essay in an easy to understand manner. They also help you achieve your aim of explaining the main idea with deep analysis and detail.

Narrative Essay Example For College

The transition from high school to college demands better essay writing skills, to analyze and narrate subjects.

Go through the following example and learn how to formulate your ideas and explain them in words.

Personal Narrative Essay Examples

Personal narrative essay  samples given below will help you make a difference between the third and first-person accounts.

Literacy Narrative Essay Example

When we talk about essays related to literacy, these essays contemplate all kinds of issues. From simple daily life events to more complex social issues, they cover them all.

Descriptive Narrative Essay Example

In descriptive narrative essays, the writer explains everything with vivid details. This could be something visual also, like a photo or a painting and the writer narrates it.

3rd Person Narrative Essay Example

As seen in the above examples, a narrative essay is usually written to share a personal experience.

The 3rd person narrative essay example shows how these essays are written from a protagonist’s point of view.

Narrative Essay Example for 3rd Person

The Essentials of Narrative Essays

Let's start with the basics. The four types of essays are argumentative essays, descriptive essays, expository essays, and narrative essays.

The goal of a narrative essay is to tell a compelling tale from one person's perspective. A narrative essay incorporates all of the story components, such as a beginning, middle, and conclusion, as well as plot, characters, setting, and climax.

The narrative essay's goal is the plot, which should be detailed enough to reach a climax. Here's how it works:

• It's usually presented in chronological order.
• It has a function. This is typically evident in the thesis statement's opening paragraph.
• It may include speech.
• It's told with sensory details and vivid language, drawing the reader in. All of these elements are connected to the writer's major argument in some way.

How to Write a Narrative Essay in 10 Minutes or Less

Remember that you're giving the reader sensory and emotional information when crafting a narrative essay.

• Your writing should be vivid and colorful to help the reader put themselves in your shoes.
• The best way to do that is by using words and phrases from the story. You should also place a reference to it in the first sentence of your essay.
• You should utilize conflict and sequence, as you would in any other narrative.
• You can utilize flashbacks and flash-forwards to advance the plot toward its conclusion.
• It's generally written in the first person, but third-person is also acceptable.

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How To Write A Historical Narrative Essay ?

Table of Contents

Essay writing has its limitations and liberties, both in form and content. In schools and colleges, teachers check the thinking and writing capabilities of students based on a variety of essays, ranging from 200 and 300 to 1500 words. 

There are many types and forms of essays, depending on the subject matter and the demands of the curriculum. The most common types are narrative and reflective essays. Historical narrative essays are also written in schools but the scope is limited.

Historical Narrative Essay – A Quick View

A historical narrative essay is about a story that is based on a historical personality, place, or event. It is another way to teach students history and its related aspects. Like any other essay or discourse, it mostly deals with a fortune moment or event, its causes and effects, and its contribution to the present state of affairs.

At a higher level, historical narrative essays help both readers and writers understand the events better and draw valuable lessons from them.

Elements Of A Historical Narrative

In other types of essays , the elements are somewhat common, including conflict, characters, setting, theme, and so on.

When compared to these, the historical narrative is different and covers other areas in terms of essential fundamentals. Here are some important elements of a historical narrative essay:

In terms of objectivity, students cannot divert from the source material of history. But in explanation and narrative building, they can form hypotheses and work on them through characters, time, and places.

Benefits In Academics

There are many benefits of writing historical narratives and promoting the learning of history through them. Students can learn about the history of cultures, languages, and civilizations by researching historical narrative essays.

In addition to this, the speculative fiction market is booming thanks to writers who are well-versed in history and can weave compelling narratives around historical events.

How To Write A Compelling Historical Narrative Essay

Writing a historical narrative is very much different from composing a riveting narrative or reflective essay. In the former, writers have the liberty to build a universe of their own based on their personal experiences and incidents. On the other hand, a historical narrative is dependent on historical events and characters playing out.

That’s why the process and prerequisites of writing a historical narrative are often harder because of a truth constraint.

So, in this section, we are going to share a precise guide on how to write a historical narrative essay for maximum readers’ and critical approval.

Conducting Thorough Research

Research is always the key to essay writing but in this case, it is the real essence. Anything from defining the characters to developing a storyline and plot comes from real historical sources. That’s the reason it is disastrous for students to set out and write a historical essay on sheer determination and intuition. On the brighter side, researching and finding reliable sources has become easier because of the internet. On a given day, students can sift through millions of books to find the most relevant material.

Defining The Chronological Boundaries

According to one of the elements of historical narrative, the time constraints should be well-defined and concrete. For instance, American History is vast and diverse, and simply pulling a period will not be enough. Students need to define the period based on their story and characters. Otherwise, the narrative will fall flat because it would not support other elements and contradict the sources. For that matter, defining the chronological boundaries early on can save writers a lot of time and effort.

Choosing A “Reliable” Narrator

A narrator is the teller of the story. In terms of a historical narrative, a narrator could be a primary or secondary character whose perspective is used to tell the story. For example, in a historical narrative essay on American Civil War, the narrator can be a federal soldier who served at the front. Fiction is filled with narrators that were unreliable for literary reasons, to add to the scope and suspense of the book. But in these essays, the narrator should not only be reliable but also unbiased and rational because the premise is based on true historical factors.

Outlining The Plot – From Start To Finish

Students with limited knowledge in writing historical narrative essays cannot wing the part of planning the plot. In fiction, many writers hate the outlining process and often go according to the stories built in their subconscious or intuition. However, a historical narrative is dependent on the objectivity of history so the plot and subplots should be outlined and defined from the very start. The best way to do that is to use the snowflake method where the earlier drafts should have only one or two sentences for a paragraph.

Writing The First Draft

No matter how much planning and revision went into your historical narrative before you started writing, the writing phase will have its ups and downs. The best way to keep yourself from going off-track is by sticking to the brass tacks when in doubt. Everything else can be amended. Initial drafts are often filled with errors and inconsistencies of many kinds, from grammatical and spelling to contextual. So, there is no need to beat yourself up because it can be improved in later drafts.

Revising And Proofreading

Revising and proofreading is other common thread that binds all writing forms. Without this phase, you are sure to get the poorest marks in the class because errors and inconsistencies are always in the first iterations. You can either rely on repetitions to find every detectable flaw in your copy or you can augment your human intelligence with smart applications such as Grammarly and Hemingway Editor to improve your narrative. The rationale behind going through multiple rounds is to find and rectify both apparent and deeper errors in the essay.

Practical Tips To Ace A Historical Narrative

Students can find a lot of tips and “hacks” for  writing a solid historical narrative  in record time. The problem with these tips is that they are not practical or limited in their application.

In this section, we are sharing some of the best and most practical tips to instill life in your historical narrative and make the figures come out alive.

Developing Relatable Characters

In history books, the historical characters are extremely limited and fail to become “humans”. They are either evil incarnate or the very definition of humility and self-sacrifice. In reality, people are different.

The best and most relatable characters are the ones who grow through trials and tribulations. The concept of the hero is not lost in the historical narrative but on the contrary.

Writers can show the progress of the protagonist by drawing lessons from his qualities and drawbacks. Often, internal dilemmas do the trick in helping people understand the characters.

Meaningful Dialogues

Another thing that is missing in much of history is written dialogues. There are instances in Roman and Greek history and then in later periods but the overall practice of chronicling and learning history is not too friendly with dialogues.

In a historical narrative, writers can make the characters more believable and relatable by letting them talk in ways that are believable according to their stature and culture.

Again, students may have to research harder and dig a little deeper to make the dialogues but it will be worth it in the end.

Detailed Setting With Vivid Imagery

In terms of movies, comics and fantasies are gaining a lot of momentum because they offer rich imagery and provide an immersive experience. The same is true for novels and sagas written on historical subjects.

In historical narratives, writers can put the elements of detailed settings and places that can invoke images in the minds of the readers. The best type of writing is making the readers see and feel. This effort cannot pay better in any other setting than this one.

Again, it will take extra time and effort but worth it nonetheless.

Well-Grounded Theme Throughout The Narrative

Students cannot escape a theme, whether they are writing a narrative essay or a historical narrative. It is about providing a common thread to the readers that they can feel and sense throughout the text.

For instance, if the theme for a write-up is a tragedy, then the introduction and the body should all have traces of it no matter the actual subject.

Writers infuse this element in the length of the whole write-up through literary devices, such as similes, metaphors, etc.

How do you start a historical narrative essay?

A historical narrative is often about a well-known event, person, or place in history. In many cases, students do not have much room to start with a bang. Still, if they are determined to create an impact, they can start the narrative with a bold statement, or something oxymoronic. This will hook the readers and students can get maximum marks from their teachers.

What is an example of a historical narrative essay?

Anything that has the historical context as the background of a story with a well-defined time and place is a historical narrative. The primary examples of historical narratives can be knowledge of history through first-hand observation and record. This includes diaries, journals, autobiographies, and speeches. Letters by famous people are also counted as part of the canon.

What are the technical restraints in a historical narrative?

What distinguishes a historical narrative from other essay writing forms and fiction is its reliance on true historical knowledge. Whatever writers do, they cannot divert from the source material if they want to write historical narrative essays.

What can be included in a historical narrative?

Even in the historical narrative types, there is much diversity in terms of works and iterations. For instance, the primary sources of historical narrative are diaries, letters, journals, speeches, etc, because they are often written by people who experience events without any dependents.

Historical narrative essays are also great examples but they must be written with extreme care and research. Otherwise, they can fall into alternative history or speculative writing.

How do you open a historical narrative essay?

The best way to start a historical narrative essay is by introducing the setting and the significance of the events that are going to be covered in the essay. This produces a sense of investment and urgency in readers as they get hooked.

Following are some of the elements that can help writers better design their opening:

• A change or a conflict 
• The significant time in the character development
• A cliffhanger

Is a speculative historical narrative different from a historical narrative essay?

The speculative historical narrative is about using counterfactual elements from history to speculate what the present and future would have been. It is an exercise that is getting a lot of traction in the movie-making business because of the intellectual liberties it offers.

On the other hand, a historical narrative is a story or an essay based on true historical records and events.

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How to Write a Narrative

Last Updated: February 11, 2023 Fact Checked

This article was co-authored by Christopher Taylor, PhD . Christopher Taylor is an Adjunct Assistant Professor of English at Austin Community College in Texas. He received his PhD in English Literature and Medieval Studies from the University of Texas at Austin in 2014. There are 7 references cited in this article, which can be found at the bottom of the page. This article has been fact-checked, ensuring the accuracy of any cited facts and confirming the authority of its sources. This article has been viewed 95,784 times.

A narrative recounts a sequence of events, offers readers clear details and, typically, delivers a compelling message. If you have a story to write, getting your ideas on paper can be fun and rewarding! To brainstorm ideas, do free-writing exercises, outline your narrative’s structure, and practice writing vividly detailed descriptions. Schedule time every day to write in a distraction-free spot, and carry a notebook on you in case inspiration strikes. Editing is a major part of the process, so be sure to seek feedback and make revisions after you’ve finished your draft.

Writing Help

Brainstorming Ideas for Your Narrative

• The seed of your narrative doesn’t necessarily have to be a major life event. Even simple, often overlooked experiences, such as cooking a meal for a loved one or a chance encounter, can be packed with meaning.
• If you can’t think of a specific event to write about, try to find a small moment, memory, or image that stands out to you.

Curiosity is key: Great questions yield compelling stories, so ask questions instead of taking your experiences at face value. For instance, find out why the elderly man who walks by your house in the morning carries a stick. His story could inspire you to write an entire narrative. [2] X Research source

• Don’t worry if you can't use a lot of the material. Free-writing is an exercise, and you’re probably not going to produce an incredible story right off the bat. When you free-write, you may come up with 1 or 2 fledgling ideas that are worth exploring, so don’t get discouraged.
• Some people also find it helpful to chat with a friend about a topic or an idea. If you have a thought you want to develop, try bouncing ideas off of a trusted, creative friend. [4] X Research source

• A vivid description could be, “Hand-painted, cheerfully swirling floral patterns on the grandfather clock's face had long ago begun to fade. Nicks and scratches in its tawny wooden body further evidenced its age. Wear and tear aside, one could only marvel at its precisely dovetailed joints and exquisitely sculpted split pediment top.”
• Carry a notebook (or use a memo app on your phone) and practice writing vivid descriptions throughout the day. To broaden your vocabulary, plug words into a thesaurus. Look up the definitions of the synonyms it generates, and use them when you practice writing descriptions in the future.
• Vivid details are essential to crafting a narrative, so practicing descriptive writing is time well spent. You may also be able to work a description of a coffee cup, chirping bird, or passerby into your narrative.

• If you’re writing about your own experiences, try to let yourself be vulnerable. It’s scary to write about emotions, whether they’re positive or negative, or to write with sincerity about a significant experience. Let that vulnerability fuel your narrative.
• For example, suppose you're writing about a breakup. Writing about how your actions contributed to the breakup isn't easy, even if you're recounting events with fictional characters. However, digging deep and being honest about what you did wrong will make your story more authentic.

Drafting Your Narrative

• Choose a distraction-free time and place and work on your story for at least 30 minutes a day. It’s okay if your words seem forced at first. As you write more, you’ll build the connection between your mind and hands, and engaging the keyboard or pen and paper will start to feel automatic. [6] X Research source
• Note that doing free-writing exercises is different from writing your story. You can still write freely on any topic for 15 minutes a day, but set aside at least 30 minutes to write your story with focus.

Tip: Try to get to know your work habits. Figure out when you’re most productive or creative. Some people thrive when they stick to a strict writing routine, while others are at their best when they wake up to write in the middle of the night.

• Keep in mind your narrator doesn’t need to be correct, truthful, or moral. An unreliable or immoral narrator can be an effective way to engage the reader.
• For instance, the narrator could have committed heinous crimes in the story, but wins the reader with their charm. The reader identifies with the narrator, and when they learn the extent of the narrator’s deeds, they examine their own morality.

• Be descriptive, but try not to overwhelm the reader with details. Spelling out every breath a character takes or describing every speck of a room makes for tedious reading. Zero in on key details and, whenever possible, make them relevant to the story.
• For instance, suppose a character in your narrative is indecisive, and their inability to make decisions ultimately leads to your story’s climax. When you introduce the character, you could describe them struggling to make up their mind while ordering lunch, and that detail will foreshadow later events in the story.

• Organization is key whether you’re writing a journalistic narrative or a work of fiction. If you’re writing a personal narrative for an application or other professional purpose, it’s especially important that your organization is crystal clear.
• If you’re writing a creative piece, you have more room to experiment with structure. For instance, the plot may center on a character who’s struggling to reconstruct forgotten past events.
• Even if you play with the timeline, your story itself still needs a coherent plot that builds toward a big moment, revelation, or climax.

• Be aware of your pacing. If your writing doesn’t hold your interest, it won’t keep the reader’s attention. Take time to provide key details and allow the plot to unfold, but get to the point instead of unnecessarily dragging out the story.

Revising Your Work

• For instance, “His sleeplessness became part of his normal routine and, like an animal active at night, he found that the dark of night heightened his senses,” is wordy. “His insomnia became habitual; like a nocturnal animal, his senses grew sharper with light’s absence” is crisper.

Take a break: After drafting your narrative, put it aside for a day or so. Revise it after taking a break from it so you can approach it with fresh eyes. [10] X Research source

• For instance, if you’ve written your narrative in the past tense, watch out for places where your narrator may have slipped into the present.
• Keep in mind characters can think or speak using a different tense than the narrator. For example, it’s grammatically correct to write, “Noelle skipped and spun blithely as she chanted, ‘Tom loves Sophie! He’s gonna marry her! Tom and Sophie sitting in a tree!’”

• For instance, you might lose the reader if you start to detail one setting, digress for 3 paragraphs to discuss events in another location, bring up something completely unrelated, then finally finish describing the original setting.

• If you’re writing about a personal experience, have someone who wasn’t present for the event read your narrative. They can give you an unbiased opinion about how well you make the experience real for them.
• If someone gives you tough notes on your narrative, try not to take it personally. Use their feedback to make your story stronger.

Community Q&A

• Unless your instructor has set a page or word count, a narrative can be any length. Use as much space as you need to tell your story and make your point. Thanks Helpful 0 Not Helpful 0
• Reading is one of the best ways to refine your writing. To get a feel for a variety of narrative styles, read publications ranging from newspapers to novels. Thanks Helpful 0 Not Helpful 0

You Might Also Like

• ↑ https://davehood59.wordpress.com/2012/09/27/writing-creative-nonfiction-finding-the-big-ideas-to-write-about/
• ↑ https://www.theopennotebook.com/2011/12/13/finding-ideas/
• ↑ https://academicguides.waldenu.edu/writingcenter/undergraduate/priorlearning/drafting
• ↑ https://www.uvm.edu/wid/writingcenter/tutortips/writinggeneral.html
• ↑ https://www.unr.edu/writing-speaking-center/student-resources/writing-speaking-resources/descriptive-writing
• ↑ https://owl.purdue.edu/owl/general_writing/academic_writing/essay_writing/narrative_essays.html
• ↑ https://writingcenter.unc.edu/tips-and-tools/flow/

About This Article

To write a narrative, start by deciding who the narrator of your story will be so you can tell the story from their point of view. Then, use interesting details to draw the reader in, such as descriptions of the narrator’s neighborhood or the way the school bell sounded when it rang. As you describe the main events, build up to a pivotal moment, like an important basketball game or a knight fighting the dragon. Finally, end with a resolution to the main conflict, such as winning the basketball game or the knight slaying the dragon. For tips on how to incorporate flashbacks into your narrative, read on! Did this summary help you? Yes No

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The Decolonization Narrative Is Dangerous and False

It does not accurately describe either the foundation of Israel or the tragedy of the Palestinians.

P eace in the Israel-Palestine conflict had already been difficult to achieve before Hamas’s barbarous October 7 attack and Israel’s military response. Now it seems almost impossible, but its essence is clearer than ever: Ultimately, a negotiation to establish a safe Israel beside a safe Palestinian state.

Whatever the enormous complexities and challenges of bringing about this future, one truth should be obvious among decent people: killing 1,400 people and kidnapping more than 200, including scores of civilians, was deeply wrong. The Hamas attack resembled a medieval Mongol raid for slaughter and human trophies—except it was recorded in real time and published to social media. Yet since October 7, Western academics, students, artists, and activists have denied, excused, or even celebrated the murders by a terrorist sect that proclaims an anti-Jewish genocidal program. Some of this is happening out in the open, some behind the masks of humanitarianism and justice, and some in code, most famously “ from the river to the sea ,” a chilling phrase that implicitly endorses the killing or deportation of the 9 million Israelis. It seems odd that one has to say: Killing civilians, old people, even babies, is always wrong. But today say it one must.

Franklin Foer: Tell me how this ends

How can educated people justify such callousness and embrace such inhumanity? All sorts of things are at play here, but much of the justification for killing civilians is based on a fashionable ideology, “decolonization,” which, taken at face value, rules out the negotiation of two states—the only real solution to this century of conflict—and is as dangerous as it is false.

I always wondered about the leftist intellectuals who supported Stalin, and those aristocratic sympathizers and peace activists who excused Hitler. Today’s Hamas apologists and atrocity-deniers, with their robotic denunciations of “settler-colonialism,” belong to the same tradition but worse: They have abundant evidence of the slaughter of old people, teenagers, and children, but unlike those fools of the 1930s, who slowly came around to the truth, they have not changed their views an iota. The lack of decency and respect for human life is astonishing: Almost instantly after the Hamas attack, a legion of people emerged who downplayed the slaughter, or denied actual atrocities had even happened, as if Hamas had just carried out a traditional military operation against soldiers. October 7 deniers, like Holocaust deniers, exist in an especially dark place.

The decolonization narrative has dehumanized Israelis to the extent that otherwise rational people excuse, deny, or support barbarity. It holds that Israel is an “imperialist-colonialist” force, that Israelis are “settler-colonialists,” and that Palestinians have a right to eliminate their oppressors. (On October 7, we all learned what that meant.) It casts Israelis as “white” or “white-adjacent” and Palestinians as “people of color.”

This ideology, powerful in the academy but long overdue for serious challenge, is a toxic, historically nonsensical mix of Marxist theory, Soviet propaganda, and traditional anti-Semitism from the Middle Ages and the 19th century. But its current engine is the new identity analysis, which sees history through a concept of race that derives from the American experience. The argument is that it is almost impossible for the “oppressed” to be themselves racist, just as it is impossible for an “oppressor” to be the subject of racism. Jews therefore cannot suffer racism, because they are regarded as “white” and “privileged”; although they cannot be victims, they can and do exploit other, less privileged people, in the West through the sins of “exploitative capitalism” and in the Middle East through “colonialism.”

This leftist analysis, with its hierarchy of oppressed identities—and intimidating jargon, a clue to its lack of factual rigor—has in many parts of the academy and media replaced traditional universalist leftist values, including internationalist standards of decency and respect for human life and the safety of innocent civilians. When this clumsy analysis collides with the realities of the Middle East, it loses all touch with historical facts.

Indeed, it requires an astonishing leap of ahistorical delusion to disregard the record of anti-Jewish racism over the two millennia since the fall of the Judean Temple in 70 C.E. After all, the October 7 massacre ranks with the medieval mass killings of Jews in Christian and Islamic societies, the Khmelnytsky massacres of 1640s Ukraine, Russian pogroms from 1881 to 1920—and the Holocaust. Even the Holocaust is now sometimes misconstrued—as the actor Whoopi Goldberg notoriously did—as being “not about race,” an approach as ignorant as it is repulsive.

Contrary to the decolonizing narrative, Gaza is not technically occupied by Israel—not in the usual sense of soldiers on the ground. Israel evacuated the Strip in 2005, removing its settlements. In 2007, Hamas seized power, killing its Fatah rivals in a short civil war. Hamas set up a one-party state that crushes Palestinian opposition within its territory, bans same-sex relationships, represses women, and openly espouses the killing of all Jews.

Very strange company for leftists.

Of course, some protesters chanting “from the river to the sea” may have no idea what they’re calling for; they are ignorant and believe that they are simply endorsing “freedom.” Others deny that they are pro-Hamas, insisting that they are simply pro-Palestinian—but feel the need to cast Hamas’s massacre as an understandable response to Israeli-Jewish “colonial” oppression. Yet others are malign deniers who seek the death of Israeli civilians.

The toxicity of this ideology is now clear. Once-respectable intellectuals have shamelessly debated whether 40 babies were dismembered or some smaller number merely had their throats cut or were burned alive. Students now regularly tear down posters of children held as Hamas hostages. It is hard to understand such heartless inhumanity. Our definition of a hate crime is constantly expanding, but if this is not a hate crime, what is? What is happening in our societies? Something has gone wrong.

In a further racist twist, Jews are now accused of the very crimes they themselves have suffered. Hence the constant claim of a “genocide” when no genocide has taken place or been intended. Israel, with Egypt, has imposed a blockade on Gaza since Hamas took over, and has periodically bombarded the Strip in retaliation for regular rocket attacks. After more than 4,000 rockets were fired by Hamas and its allies into Israel, the 2014 Gaza War resulted in more than 2,000 Palestinian deaths. More than 7,000 Palestinians, including many children, have died so far in this war, according to Hamas. This is a tragedy—but this is not a genocide , a word that has now been so devalued by its metaphorical abuse that it has become meaningless.

I should also say that Israeli rule of the Occupied Territories of the West Bank is different and, to my mind, unacceptable, unsustainable, and unjust. The Palestinians in the West Bank have endured a harsh, unjust, and oppressive occupation since 1967. Settlers under the disgraceful Netanyahu government have harassed and persecuted Palestinians in the West Bank: 146 Palestinians in the West Bank and East Jerusalem were killed in 2022 and at least 153 in 2023 before the Hamas attack, and more than 90 since. Again: This is appalling and unacceptable, but not genocide.

Although there is a strong instinct to make this a Holocaust-mirroring “genocide,” it is not: The Palestinians suffer from many things, including military occupation; settler intimidation and violence; corrupt Palestinian political leadership; callous neglect by their brethren in more than 20 Arab states; the rejection by Yasser Arafat, the late Palestinian leader, of compromise plans that would have seen the creation of an independent Palestinian state; and so on. None of this constitutes genocide, or anything like genocide. The Israeli goal in Gaza—for practical reasons, among others—is to minimize the number of Palestinian civilians killed. Hamas and like-minded organizations have made it abundantly clear over the years that maximizing the number of Palestinian casualties is in their strategic interest. (Put aside all of this and consider: The world Jewish population is still smaller than it was in 1939, because of the damage done by the Nazis. The Palestinian population has grown, and continues to grow. Demographic shrinkage is one obvious marker of genocide. In total, roughly 120,000 Arabs and Jews have been killed in the conflict over Palestine and Israel since 1860. By contrast, at least 500,000 people, mainly civilians, have been killed in the Syrian civil war since it began in 2011.)

I f the ideology of decolonization , taught in our universities as a theory of history and shouted in our streets as self-evidently righteous, badly misconstrues the present reality, does it reflect the history of Israel as it claims to do? It does not. Indeed, it does not accurately describe either the foundation of Israel or the tragedy of the Palestinians.

According to the decolonizers, Israel is and always has been an illegitimate freak-state because it was fostered by the British empire and because some of its founders were European-born Jews.

In this narrative, Israel is tainted by imperial Britain’s broken promise to deliver Arab independence, and its kept promise to support a “national home for the Jewish people,” in the language of the 1917 Balfour Declaration. But the supposed promise to Arabs was in fact an ambiguous 1915 agreement with Sharif Hussein of Mecca, who wanted his Hashemite family to rule the entire region. In part, he did not receive this new empire because his family had much less regional support than he claimed. Nonetheless, ultimately Britain delivered three kingdoms—Iraq, Jordan, and Hejaz—to the family.

The imperial powers—Britain and France—made all sorts of promises to different peoples, and then put their own interests first. Those promises to the Jews and the Arabs during World War I were typical. Afterward, similar promises were made to the Kurds, the Armenians, and others, none of which came to fruition. But the central narrative that Britain betrayed the Arab promise and backed the Jewish one is incomplete. In the 1930s, Britain turned against Zionism, and from 1937 to 1939 moved toward an Arab state with no Jewish one at all. It was an armed Jewish revolt, from 1945 to 1948 against imperial Britain, that delivered the state.

Israel exists thanks to this revolt, and to international law and cooperation, something leftists once believed in. The idea of a Jewish “homeland” was proposed in three declarations by Britain (signed by Balfour), France, and the United States, then promulgated in a July 1922 resolution by the League of Nations that created the British “mandates” over Palestine and Iraq that matched French “mandates” over Syria and Lebanon. In 1947, the United Nations devised the partition of the British mandate of Palestine into two states, Arab and Jewish.

The carving of such states out of these mandates was not exceptional, either. At the end of World War II, France granted independence to Syria and Lebanon, newly conceived nation-states. Britain created Iraq and Jordan in a similar way. Imperial powers designed most of the countries in the region, except Egypt.

Nor was the imperial promise of separate homelands for different ethnicities or sects unique. The French had promised independent states for the Druze, Alawites, Sunnis, and Maronites but in the end combined them into Syria and Lebanon. All of these states had been “vilayets” and “sanjaks” (provinces) of the Turkish Ottoman empire, ruled from Constantinople, from 1517 until 1918.

The concept of “partition” is, in the decolonization narrative, regarded as a wicked imperial trick. But it was entirely normal in the creation of 20th-century nation-states, which were typically fashioned out of fallen empires. And sadly, the creation of nation-states was frequently marked by population swaps, huge refugee migrations, ethnic violence, and full-scale wars. Think of the Greco-Turkish war of 1921–22 or the partition of India in 1947. In this sense, Israel-Palestine was typical.

At the heart of decolonization ideology is the categorization of all Israelis, historic and present, as “colonists.” This is simply wrong. Most Israelis are descended from people who migrated to the Holy Land from 1881 to 1949. They were not completely new to the region. The Jewish people ruled Judean kingdoms and prayed in the Jerusalem Temple for a thousand years, then were ever present there in smaller numbers for the next 2,000 years. In other words, Jews are indigenous in the Holy Land, and if one believes in the return of exiled people to their homeland, then the return of the Jews is exactly that. Even those who deny this history or regard it as irrelevant to modern times must acknowledge that Israel is now the home and only home of 9 million Israelis who have lived there for four, five, six generations.

Most migrants to, say, the United Kingdom or the United States are regarded as British or American within a lifetime. Politics in both countries is filled with prominent leaders—Suella Braverman and David Lammy, Kamala Harris and Nikki Haley—whose parents or grandparents migrated from India, West Africa, or South America. No one would describe them as “settlers.” Yet Israeli families resident in Israel for a century are designated as “settler-colonists” ripe for murder and mutilation. And contrary to Hamas apologists, the ethnicity of perpetrators or victims never justifies atrocities. They would be atrocious anywhere, committed by anyone with any history. It is dismaying that it is often self-declared “anti-racists” who are now advocating exactly this murder by ethnicity.

Those on the left believe migrants who escape from persecution should be welcomed and allowed to build their lives elsewhere. Almost all of the ancestors of today’s Israelis escaped persecution.

If the “settler-colonist” narrative is not true, it is true that the conflict is the result of the brutal rivalry and battle for land between two ethnic groups, both with rightful claims to live there. As more Jews moved to the region, the Palestinian Arabs, who had lived there for centuries and were the clear majority, felt threatened by these immigrants. The Palestinian claim to the land is not in doubt, nor is the authenticity of their history, nor their legitimate claim to their own state. But initially the Jewish migrants did not aspire to a state, merely to live and farm in the vague “homeland.” In 1918, the Zionist leader Chaim Weizmann met the Hashemite Prince Faisal Bin Hussein to discuss the Jews living under his rule as king of greater Syria. The conflict today was not inevitable. It became so as the communities refused to share and coexist, and then resorted to arms.

Even more preposterous than the “colonizer” label is the “whiteness” trope that is key to the decolonization ideology. Again: simply wrong. Israel has a large community of Ethiopian Jews, and about half of all Israelis—that is, about 5 million people—are Mizrahi, the descendants of Jews from Arab and Persian lands, people of the Middle East. They are neither “settlers” nor “colonialists” nor “white” Europeans at all but inhabitants of Baghdad and Cairo and Beirut for many centuries, even millennia, who were driven out after 1948.

A word about that year, 1948, the year of Israel’s War of Independence and the Palestinian Nakba (“Catastrophe”), which in decolonization discourse amounted to ethnic cleansing. There was indeed intense ethnic violence on both sides when Arab states invaded the territory and, together with Palestinian militias, tried to stop the creation of a Jewish state. They failed; what they ultimately stopped was the creation of a Palestinian state, as intended by the United Nations. The Arab side sought the killing or expulsion of the entire Jewish community—in precisely the murderous ways we saw on October 7. And in the areas the Arab side did capture, such as East Jerusalem, every Jew was expelled .

In this brutal war, Israelis did indeed drive some Palestinians from their homes; others fled the fighting; yet others stayed and are now Israeli Arabs who have the vote in the Israeli democracy. (Some 25 percent of today’s Israelis are Arabs and Druze.) About 700,000 Palestinians lost their homes. That is an enormous figure and a historic tragedy. Starting in 1948, some 900,000 Jews lost their homes in Islamic countries and most of them moved to Israel. These events are not directly comparable, and I don’t mean to propose a competition in tragedy or hierarchy of victimhood. But the past is a lot more complicated than the decolonizers would have you believe.

Out of this imbroglio, one state emerged, Israel, and one did not, Palestine. Its formation is long overdue.

I t is bizarre that a small state in the Middle East attracts so much passionate attention in the West that students run through California schools shouting “Free Palestine.” But the Holy Land has an exceptional place in Western history. It is embedded in our cultural consciousness, thanks to the Hebrew and Christian Bibles, the story of Judaism, the foundation of Christianity, the Quran and the creation of Islam, and the Crusades that together have made Westerners feel involved in its destiny. The British Prime Minister David Lloyd George, the real architect of the Balfour Declaration, used to say that the names of places in Palestine “were more familiar to me than those on the Western Front.” This special affinity with the Holy Land initially worked in favor of the Jewish return, but lately it has worked against Israel. Westerners eager to expose the crimes of Euro-American imperialism but unable to offer a remedy have, often without real knowledge of the actual history, coalesced around Israel and Palestine as the world’s most vivid example of imperialist injustice.

The open world of liberal democracies—or the West, as it used to be called—is today polarized by paralyzed politics, petty but vicious cultural feuds about identity and gender, and guilt about historical successes and sins, a guilt that is bizarrely atoned for by showing sympathy for, even attraction to, enemies of our democratic values. In this scenario, Western democracies are always bad actors, hypocritical and neo-imperialist, while foreign autocracies or terror sects such as Hamas are enemies of imperialism and therefore sincere forces for good. In this topsy-turvy scenario, Israel is a living metaphor and penance for the sins of the West. The result is the intense scrutiny of Israel and the way it is judged, using standards rarely attained by any nation at war, including the United States.

But the decolonizing narrative is much worse than a study in double standards; it dehumanizes an entire nation and excuses, even celebrates, the murder of innocent civilians. As these past two weeks have shown, decolonization is now the authorized version of history in many of our schools and supposedly humanitarian institutions, and among artists and intellectuals. It is presented as history, but it is actually a caricature, zombie history with its arsenal of jargon—the sign of a coercive ideology, as Foucault argued—and its authoritarian narrative of villains and victims. And it only stands up in a landscape in which much of the real history is suppressed and in which all Western democracies are bad-faith actors. Although it lacks the sophistication of Marxist dialectic, its self-righteous moral certainty imposes a moral framework on a complex, intractable situation, which some may find consoling. Whenever you read a book or an article and it uses the phrase “settler-colonialist,” you are dealing with ideological polemic, not history.

Ultimately, this zombie narrative is a moral and political cul-de-sac that leads to slaughter and stalemate. That is no surprise, because it is based on sham history: “An invented past can never be used,” wrote James Baldwin. “It cracks and crumbles under the pressures of life like clay.”

Even when the word decolonization does not appear, this ideology is embedded in partisan media coverage of the conflict and suffuses recent condemnations of Israel. The student glee in response to the slaughter at Harvard, the University of Virginia, and other universities; the support for Hamas amongst artists and actors, along with the weaselly equivocations by leaders at some of America’s most famous research institutions, have displayed a shocking lack of morality, humanity, and basic decency.

One repellent example was an open letter signed by thousands of artists, including famous British actors such as Tilda Swinton and Steve Coogan. It warned against imminent Israeli war crimes and totally ignored the casus belli: the slaughter of 1,400 people.

The journalist Deborah Ross wrote in a powerful Times of London article that she was “utterly, utterly floored” that the letter contained “no mention of Hamas” and no mention of the “kidnapping and murder of babies, children, grandparents, young people dancing peacefully at a peace festival. The lack of basic compassion and humanity, that’s what was so unbelievably flooring. Is it so difficult? To support and feel for Palestinian citizens … while also acknowledging the indisputable horror of the Hamas attacks?” Then she asked this thespian parade of moral nullities: “What does it solve, a letter like that? And why would anyone sign it?”

The Israel-Palestine conflict is desperately difficult to solve, and decolonization rhetoric makes even less likely the negotiated compromise that is the only way out.

Since its founding in 1987, Hamas has used the murder of civilians to spoil any chance of a two-state solution. In 1993, its suicide bombings of Israeli civilians were designed to destroy the two-state Oslo Accords that recognized Israel and Palestine. This month, the Hamas terrorists unleashed their slaughter in part to undermine a peace with Saudi Arabia that would have improved Palestinian politics and standard of life, and reinvigorated Hamas’s sclerotic rival, the Palestinian Authority. In part, they served Iran to prevent the empowering of Saudi Arabia, and their atrocities were of course a spectacular trap to provoke Israeli overreaction. They are most probably getting their wish, but to do this they are cynically exploiting innocent Palestinian people as a sacrifice to political means, a second crime against civilians. In the same way, the decolonization ideology, with its denial of Israel’s right to exist and its people’s right to live safely, makes a Palestinian state less likely if not impossible.

The problem in our countries is easier to fix: Civic society and the shocked majority should now assert themselves. The radical follies of students should not alarm us overmuch; students are always thrilled by revolutionary extremes. But the indecent celebrations in London, Paris, and New York City, and the clear reluctance among leaders at major universities to condemn the killings, have exposed the cost of neglecting this issue and letting “decolonization” colonize our academy.

Parents and students can move to universities that are not led by equivocators and patrolled by deniers and ghouls; donors can withdraw their generosity en masse, and that is starting in the United States. Philanthropists can pull the funding of humanitarian foundations led by people who support war crimes against humanity (against victims selected by race). Audiences can easily decide not to watch films starring actors who ignore the killing of children; studios do not have to hire them. And in our academies, this poisonous ideology, followed by the malignant and foolish but also by the fashionable and well intentioned, has become a default position. It must forfeit its respectability, its lack of authenticity as history. Its moral nullity has been exposed for all to see.

Again, scholars, teachers, and our civil society, and the institutions that fund and regulate universities and charities, need to challenge a toxic, inhumane ideology that has no basis in the real history or present of the Holy Land, and that justifies otherwise rational people to excuse the dismemberment of babies.

Israel has done many harsh and bad things. Netanyahu’s government, the worst ever in Israeli history, as inept as it is immoral, promotes a maximalist ultranationalism that is both unacceptable and unwise. Everyone has the right to protest against Israel’s policies and actions but not to promote terror sects, the killing of civilians, and the spreading of menacing anti-Semitism.

The Palestinians have legitimate grievances and have endured much brutal injustice. But both of their political entities are utterly flawed: the Palestinian Authority, which rules 40 percent of the West Bank, is moribund, corrupt, inept, and generally disdained—and its leaders have been just as abysmal as those of Israel.

Hamas is a diabolical killing sect that hides among civilians, whom it sacrifices on the altar of resistance—as moderate Arab voices have openly stated in recent days, and much more harshly than Hamas’s apologists in the West. “I categorically condemn Hamas’s targeting of civilians,” the Saudi veteran statesman Prince Turki bin Faisal movingly declared last week. “I also condemn Hamas for giving the higher moral ground to an Israeli government that is universally shunned even by half of the Israeli public … I condemn Hamas for sabotaging the attempt of Saudi Arabia to reach a peaceful resolution to the plight of the Palestinian people.” In an interview with Khaled Meshaal, a member of the Hamas politburo, the Arab journalist Rasha Nabil highlighted Hamas’s sacrifice of its own people for its political interests. Meshaal argued that this was just the cost of resistance: “Thirty million Russians died to defeat Germany,” he said.

Read: Understanding Hamas’s genocidal ideology

Nabil stands as an example to Western journalists who scarcely dare challenge Hamas and its massacres. Nothing is more patronizing and even Orientalist than the romanticization of Hamas’s butchers, whom many Arabs despise. The denial of their atrocities by so many in the West is an attempt to fashion acceptable heroes out of an organization that dismembers babies and defiles the bodies of murdered girls. This is an attempt to save Hamas from itself. Perhaps the West’s Hamas apologists should listen to moderate Arab voices instead of a fundamentalist terror sect.

Hamas’s atrocities place it, like the Islamic State and al-Qaeda, as an abomination beyond tolerance. Israel, like any state, has the right to defend itself, but it must do so with great care and minimal civilian loss, and it will be hard even with a full military incursion to destroy Hamas. Meanwhile, Israel must curb its injustices in the West Bank—or risk destroying itself—because ultimately it must negotiate with moderate Palestinians.

So the war unfolds tragically. As I write this, the pounding of Gaza is killing Palestinian children every day, and that is unbearable. As Israel still grieves its losses and buries its children, we deplore the killing of Israeli civilians just as we deplore the killing of Palestinian civilians. We reject Hamas, evil and unfit to govern, but we do not mistake Hamas for the Palestinian people, whose losses we mourn as we mourn the death of all innocents.

In the wider span of history, sometimes terrible events can shake fortified positions: Anwar Sadat and Menachem Begin made peace after the Yom Kippur War; Yitzhak Rabin and Yasser Arafat made peace after the Intifada. The diabolical crimes of October 7 will never be forgotten, but perhaps, in the years to come, after the scattering of Hamas, after Netanyahuism is just a catastrophic memory, Israelis and Palestinians will draw the borders of their states, tempered by 75 years of killing and stunned by one weekend’s Hamas butchery, into mutual recognition. There is no other way.

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Guest Essay

The Palestine Double Standard

By Hala Alyan

Dr. Alyan is a Palestinian American writer, clinical psychologist and professor in New York City.

I’ve moved back to the United States twice since my birth. Once as a child, after the Iraqi invasion of Kuwait. Then again for graduate school. I’d had the privilege of a youth — adolescence and young adulthood — in countries where being Palestinian was fairly common. The identity could be heavy, but it wasn’t a contested one. I hadn’t had to learn the respectability politics of being a Palestinian adult. I learned quickly.

The task of the Palestinian is to be palatable or to be condemned. The task of the Palestinian, we’ve seen in the past two weeks, is to audition for empathy and compassion. To prove that we deserve it. To earn it.

In the past couple of weeks, I’ve watched Palestinian activists, lawyers, professors get baited and interrupted on air , if not silenced altogether. They are being made to sing for the supper of airtime and fair coverage. They are begging reporters to do the most basic tasks of their job. At the same time, Palestinians fleeing from bombs have been misidentified . Even when under attack, they must be costumed as another people to elicit humanity. Even in death, they cannot rest — Palestinians are being buried in mass graves or in old graves dug up to make room, and still there is not enough space.

If that weren’t enough, Palestinian slaughter is too often presented ahistorically, untethered to reality: It is not attributed to real steel and missiles, to occupation, to policy. To earn compassion for their dead, Palestinians must first prove their innocence. The real problem with condemnation is the quiet, sly tenor of the questions that accompany it: Palestinians are presumed violent — and deserving of violence — until proved otherwise. Their deaths are presumed defensible until proved otherwise. What is the word of a Palestinian against a machinery that investigates itself, that absolves itself of accused crimes? What is it against a government whose representatives have referred to Palestinians as “ human animals ” and “ wild beasts ”? When a well-suited man can say brazenly and unflinchingly that there is no such thing as a Palestinian people?

It is, of course, a remarkably effective strategy. A slaughter isn’t a slaughter if those being slaughtered are at fault, if they’ve been quietly and effectively dehumanized — in the media, through policy — for years. If nobody is a civilian, nobody can be a victim.

In 2017, I published a novel about a Palestinian family . It was published by a respectable publisher, got a lot of lovely press, was given a book tour. I spoke on panels, to book clubs. I answered questions after readings. There was a refrain that kept coming up. People kept commenting on how human the story was. You’ve humanized the conflict. This is a human story .

Of course, literature and the arts play a crucial role in providing context — expanding our empathy, granting us glimpses into other worlds. But every time I was told I’d humanized the Palestinians, I would have to suppress the question it invoked: What had they been before?

A couple of weeks ago, in a professional space, someone called Palestinians by name and spoke of the seven decades of their anguish. I sat among dozens of co-workers and realized my lip was quivering. I was crying before I understood it was happening. I fled the room, and it took 10 minutes for me to stop sobbing. I didn’t immediately understand my reaction. Over the years, I’ve faced meetings, classrooms and other institutional spaces where Palestinians went unnamed or were referred to only as terrorists. I came of professional age in a country where people lost all sorts of things for speaking of Palestine: social standing, university tenure, journalist positions. But in the end, I am undone not by silence or erasure but by empathy. By the simple naming of my people. By increasing recognition that liberation is linked. By spaces of Palestinian-Jewish solidarity. By what has become controversial: the simple speaking aloud of Palestinian suffering.

These days, everyone is trying to write about the children. An incomprehensible number of them dead and counting. We are up at night, combing through the flickering light of our phones, trying to find the metaphor, the clip, the photograph to prove a child is a child. It is an unbearable task. We ask: Will this be the image that finally does it? This half-child on a rooftop? This video, reposted by Al Jazeera, of an inconsolable girl appearing to recognize her mother’s body among the dead, screaming out, “It’s her, it’s her. I swear it’s her. I know her from her hair”?

Take it from a writer: There is nothing like the tedium of trying to come up with analogies. There is something humiliating in trying to earn solidarity. I keep seeing infographics desperately trying to appeal to American audiences. Imagine most of the population of Manhattan being told to evacuate in 24 hours . Imagine the president of [ ] going on NBC and saying all [ ] people are [ ]. Look! Here’s a strip on the edge of the Mediterranean Sea . That’s Gaza. It is about the same size as Philadelphia . Or multiply the entire population of Las Vegas by three.

This is demoralizing work, to have to speak constantly in the vernacular of tragedies and atrocities, to say: Look, look. Remember? That other suffering that was eventually deemed unacceptable? Let me hold it up to this one. Let me show you proportion. Let me earn your outrage. Absent that, let me earn your memory. Please.

I don’t hesitate for a second to condemn the killing of any child, any massacre of civilians — this of course includes Jewish life. It is the easiest ask in the world. And it is not in spite of that but because of that I say: Condemn the brutalization of bodies. By all means, do. Condemn murder. Condemn violence, imprisonment, all forms of oppression. But if your shock and distress comes only at the sight of certain brutalized bodies? If you speak out but not when Palestinian bodies are besieged and murdered, abducted and imprisoned? Then it is worth asking yourself which brutalization is acceptable to you, even quietly, even subconsciously, and which is not.

Name the discrepancy and own it. If you can’t be equitable, be honest.

There is nothing complicated about asking for freedom. Palestinians deserve equal rights, equal access to resources, equal access to fair elections and so forth. If this makes you uneasy, then you must ask yourself why.

Here is the truth of the diasporic Palestinians: They are not magically diasporic. Their diaspora-ness is a direct result of often violent, intentional and illegal dispossession. One day a house is yours; one day it is not. One day a neighborhood is yours; one day it is not. One day a territory is yours; one day it is not. This same sort of dispossession is grounded in the same mind-set and international complicity that is playing out in Gaza.

I’m a poet, a writer, a psychologist. I’m deeply familiar with the importance of language. I’ve agonized over an em dash. I’ve spent afternoons muttering about the aptness of a verb. I pay attention to language, my own and others. Being Palestinian in this country — in many countries — is a numbing exercise in gauging where pockets of safety are, sussing out which friends, co-workers or acquaintances will be allies, which will stay silent. Who will speak.

Here’s another thing I know as a writer and psychologist: It matters where you start a narrative. In addiction work, you call this playing the tape. Diasporically or not, being Palestinian is the quintessential disrupter: It messes with a curated, modified tape. We exist, and our existence presents an existential affront. As long as we exist, we challenge several falsehoods, not the least of which is that, for some, we never existed at all. That decades ago, a country was born in the delicious, glittering expanse of nothingness — a birthright, something due. Our very existence challenges a formidable, militarized narrative.

But the days of the Palestine exception are numbered. Palestine is increasingly becoming the litmus test for true liberatory practice.

In the meantime, Palestinians continue to be cast paradoxically — both terror and invisible, both people who never existed and people who cannot return.

Imagine being such a pest, such an obstacle. Or: Imagine being so powerful.

Hala Alyan is a clinical psychologist and professor in New York City. She is the author of the novels “Salt Houses” and “The Arsonists’ City,” and several collections of poetry, including the forthcoming “ The Moon That Turns You Back .”

Source photographs by Bettmann and Sepia Times, via Getty Images.

The Times is committed to publishing a diversity of letters to the editor. We’d like to hear what you think about this or any of our articles. Here are some tips . And here’s our email: [email protected] .

Follow The New York Times Opinion section on Facebook , Twitter (@NYTopinion) and Instagram .

2. Write an intro paragraph to an essay describing the economic...

Answer & explanation.

From 1929 to 1939, there was a global economic crisis known as the Great Depression that had a significant impact on society and economies all over the world. The affluence of the Roaring Twenties, which was stimulated by post-World War I economic expansion and technological advancements, came before it. A number of causes, including the 1929 stock market crash, a reduction in consumer spending, and a decline in global trade, contributed to the Great Depression. To better understand one of the greatest economic catastrophes of the 20th century, this essay will look at the economic factors that contributed to the Great Depression, such as the Stock Market Crash, the drop in consumer spending, and the decline in international trade.

The Great Depression was a significant economic event that impacted the world in the early 20th century. Prior to the Great Depression, World War I and the Roaring Twenties had created a period of economic growth and prosperity in many countries, including the United States. The thesis of this essay is to examine the economic causes and conditions of the Great Depression, including the impact of the stock market crash, bank failures, and international trade.

******** to help you get started. ********

From 1929 through 1939, there was a global economic depression known as the Great Depression. The depression of the 20th century was the longest, deepest, and most pervasive one ever. The world was profoundly affected by the Great Depression, which resulted in widespread poverty and unemployment as well as a wave of political and social change. A number of political and economic causes, including the Stock Market Crash of 1929, the collapse of the banking system, and a decline in consumer spending, contributed to the Great Depression.

The 1929 stock market crash was one of the primary causes of the Great Depression. In the late 1920s, the stock market had been expanding quickly, and many individuals had been depositing their wealth in it. The market was, however, quite speculative, and the stock prices were not backed by the true worth of the companies. The market abruptly plummeted in October 1929, causing millions of people to lose their money. This had a cascading effect on the rest of the economy, resulting in a drop in consumer spending, which in turn caused a drop in output, which in turn caused a drop in employment.

The collapse of the financial sector was a significant contributor to the Great Depression. Due to banks' significant stock market investments, a wave of banks failed as a result of the stock market crash. People lost their funds as banks failed, which reduced consumer purchasing and exacerbated the depression. The government's tardy and inept response to the financial crisis made the economic downturn worse.

In conclusion, the 1929 stock market crash, the collapse of the banking system, and a decline in consumer spending were all economic and political causes that contributed to the Great Depression. The world was significantly impacted by these forces, which resulted in widespread poverty and unemployment as well as a surge of political and social transformation. The Great Depression is still seen as a significant historical event, and its lessons are still used to guide economic policy and our comprehension of economic cycles.

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